|
|
|
 |
|
|
|
|
|
|
Buddhist Cave Sculpture of the Northern Qi Dynasty: Shaping a New Style, Formulating New Iconographies |
|
|
|
| 著者 |
Howard, Angela Falco (著)
|
|---|
| 掲載誌 |
Archives of Asian Art
|
|---|
| 巻号 | v.49 |
|---|
| 出版年月日 | 1996 |
|---|
| ページ | 6 - 25 |
|---|
| 出版者 | Duke University Express |
|---|
| 出版サイト |
https://www.dukeupress.edu/
|
|---|
| 出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| ノート | 720 |
|---|
| キーワード | Buddhist Sculpture in China; Chinese Sculpture in Six Dynasties; Buddhist Iconography; Handan China Temples; Antiquities of Anyang, China; Howard, Angela F. |
|---|
| 抄録 | The writer discusses the Buddhist cave sculpture of the Northern Qi dynasty. She considers the art of the cave temples in the Hebei and Henan provinces, as well as the art of the Anyang caves. She analyzes the style，architecture，and iconography of these arts, noting two novel trends in committing the sacred texts to stone in order to preserve them and emphatically using the stupa as a symbol to mitigate if not impede the impending catastrophe of the end of Buddhism. She also observes a novel formal language whereby the extreme stylization and acute geometrization of the late Northern Wei style were supplanted by rounder and smoother images. These carved images, she adds, depicted an incipient naturalism that would develop at a later stage into the Tang dynasty's realistic and worldly sculpture. |
|---|
| ISSN | 00666637 (P); 19446497 (E) |
|---|
| 研究種類 | 石窟 |
|---|
| 研究年代 | 南北朝-北朝-北齊 |
|---|
| 研究地域 | 河北 |
|---|
| ヒット数 | 444 |
|---|
| 作成日 | 2001.01.12 |
|---|
| 更新日期 | 2022.04.15 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
