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《三國志通俗演義》天書、符水母題的佛道文化內蘊=The Cultural Connotation of the Sutra and Tao of the Motif of the Ghost Book and Holy Water in The Popular Romance of the Three Kingdoms |
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著者 |
王立
;
馬國星
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掲載誌 |
遼寧師範大學學報 (社會科學版)=Journal of Liaoning Normal University (Social Science Edition)
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巻号 | n.5 |
出版年月日 | 2004 |
ページ | 74 - 79 |
出版者 | 遼寧師範大學 |
出版サイト |
http://www.lnnu.edu.cn/
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出版地 | 大連, 中國 [Talien, China] |
資料の種類 | 期刊論文=Journal Article |
言語 | 中文=Chinese |
ノート | 出處:中國期刊網-文史哲輯專欄目錄
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キーワード | 三國志通俗演義; 天書; 符水; 佛教; 道教; 母題 |
抄録 | 《三國志通俗演義》中符水和天書緊密相連,這種母題伴生式敘事,說明兩者間存在某種內在有機聯系。天書確為天上降臨的佛經,此與外域傳來的佛經至為相關。天書母題演變中逐漸增加了警告叛逆、天書為正統所用的意蘊。該小說成書的元末明初,正值社會上騙術橫行,對天書崇拜進行反思批判的思潮大盛,這也影響到小說對得天書者結局的描寫。
In the The Popular Romance of the Three Kingdoms, there is a close relationship between the ghost book and the holy water. This narrative which is accompanied by the motif shows some interconnection between them. The ghost book is the Sutra which comes indeed from the Heaven, and it has some important relationships with the Sutra which is derived from fremdness. In the course of evolvement, the motif gradually increases the meaning of warning treason and being used by the justice. In the late Yuan Dynasty and the early Ming Dynasty, when fraud ran amuck in the whole society, which let the trend of thoughts that adores the ghost book greater. This also influences the ending description about the master of the ghost book in the novel. |
ISSN | 10001751 (P) |
ヒット数 | 467 |
作成日 | 2005.02.25
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更新日期 | 2020.05.22 |
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