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重寫易經之卦象：二維易卦方陣=Rewriting the Diagrams of I-Ching: Two-Dimension Quadrate of I-Ching Hexagrams |
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| 著者 |
王立文 (著)=Wang, Lin-wen (au.)
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| 掲載誌 |
佛學與科學=Buddhism and Science
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| 巻号 | v.12 n.1 |
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| 出版年月日 | 2011.02.01 |
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| ページ | 6 - 11 |
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| 出版者 | 圓覺文教基金會 |
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| 出版サイト |
http://www.obf.org.tw
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| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese; 英文=English |
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| キーワード | 易經=I-ching; 六爻之卦=hexagram |
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| 抄録 | 古代伏羲氏仰觀天象，俯察地理等排出了卦象，象徵其事，並可預料其變化，十分神奇。六十四卦成形至少三千年，八卦成形可能已有五千年以上，當這些卦列出之後，僅有少數人有去改動的念頭，大多數人就很順從地接受此制約，尤其玩占卜之人，一占很準，對古人更是敬佩，哪裏還想去改動卦形，我個人在初接觸易卦時，覺得卦象其實是一種抽象畫，並且抽象中帶有其原則。主要就是陰爻(--)與陽爻(—)的排列，由下而上共六爻，分別唸為初爻，二爻，三爻，四爻，五爻及上爻，每個爻有可能是陽的亦可能是陰的，二的六次方為六十四，因此卦象共六十四種。大約半年前我起了念頭去改變易象，我看到牆上的掛鐘，心想卦之六爻常含有時間的順序和鐘錶之60分鐘有相似之處。於是我想到披薩是圓的，如果切成六片，從12點鐘的位置順時針算起，第一片代表初爻，第二片代表二爻，…，第六片代表上爻，如此這般，易卦就可以用圓形切六份來表達，陽的可以保留空白，陰的畫上斜線，用披薩的六片，陽的為正面，陰的為反面，則更為有趣，故中天新聞及蝴蝶姊姊的節目都有披薩易經的報導，經歷這次刻意的改變易象，反使我對伏羲的原設計有更深一層的了解，我驚異地發現伏羲的對陰、陽的表達方式用的是直線及線段，原來是一維的，伏羲若當初用二維方式來表達陰、陽，他會怎樣表達？將圓形切六片，或許還不是首選，那麼應該是什麼樣子呢？假想我是伏羲，應該會排出表三，這是另一嶄新之二維的易卦方陣。表三中實線圈代表陽(二維表達)，虛線圈代表陰(二維表達)，由內而外，前三圈稱之為內卦，後三圈稱之為外卦，內卦鑲在外卦之內而成六圈之卦，這應是二維表達最基礎的方式。
Diagrams, so miracle to signify things and predict changes, are the result of the astronomical phenomena and geographical environment which Fuxi observed in the ancient time. The format of sixty-four diagrams has been set up for three thousand years and that of the eight trigrams for five thousand years. Since then, few tried to change it and most people, especially those diviners, followed the fixed rule to make it as a practice of fortune-telling. When approaching the I-Ching hexagrams for the first time, the author had a very different feel for the diagrams and thought they were just like abstract painting with certain principles consisting in permutations and combinations of yin yao and yang yao. Six yaos from the bottom-up order are respectively the first yao, the second yao, the third yao, the fourth yao, the fifth yao and the top yao, which are all composed of either yin or yang. With the sixth power of two elements, it makes sixty-four diagrams in total.
Around half a year ago, an idea came to my mind that I wanted to change the images of diagrams. I thought that six yaos shared similarity with the clock in the time sequence, and thus determined that the round shape of pizza could be cut into six pieces with the first piece serving as the first yao, the second one as the second yao until the sixth one as the top yao. In this case, I-Ching hexagrams could be presented by a roundel composed of six-pieces, as shown in Table Two, with the front as yang yao and the back as ying yao. After this change, I found the original design of the diagrams was based on the solid line or dashed line in one dimension. What would it look like if Fuxi expressed the concept of yin and yang in two dimensions? I thus assumed myself as Fuxi and conceived a brand new two-dimension quadrate of I-Ching hexagrams. From Table Three, the solid line presents yang and the dashed line ying. The outward three rings are called outer diagrams and the inward three rings inner diagrams. The outer diagrams inlaid with the inner diagrams makes six diagrams, which is the most fundamental presentation for two dimensions. |
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| 目次 | 一、前言 6
二、十二辟卦及披薩六十四易卦的圖表呈現 7
三、圓圈式二維易卦表達法 10
四、結論 10
五、參考文獻 10 |
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| ISSN | 16072952 (P) |
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| ヒット数 | 1611 |
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| 作成日 | 2011.04.29 |
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| 更新日期 | 2017.07.24 |
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