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敦煌西晉畫像磚中白象內涵辨析=The connotation of White Elephant image on the pictorial bricks of the Jin Dynasty |
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| 著者 |
戴春陽
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.2 (總號=n.126) |
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| 出版年月日 | 2011.04 |
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| ページ | 59 - 69, 131 - 132 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者為敦煌研究院研究員。
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| キーワード | 象=Elephant; 白象=White Elephant; 內涵=Connotation; 淵源=The Original Source; 佛教=Buddhism |
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| 抄録 | 關于敦煌佛爺廟灣西晉畫像磚墓中的"白象"畫像磚,筆者曾提出其"帶有佛教文化色彩"。鄭巖先生以商周、漢代常見"象"這一藝術題材為據,認為象是"傳統題材"。筆者從解析不同時期所謂"傳統題材"的不同文化內涵入手,認為白象并不屬于傳統題材。同時其時史籍中白象的闕如及在佛典中的重要地位,表明白象這一藝術題材的文化淵源具有唯一性,因而白象只能源自佛典,其所承載的佛教文化信息是毋庸置疑的。
The author hold an opinion that the image of white elephant engraving on a bricks unearthed from the Western Jin Dynasty’s brick relief tomb at Foyemiaowan Dunhuang enrich with Buddhist culture,Mr.ZHENG Yan hold an opinion that elephant was a traditional Chinese theme because they were common motif for ancient artist from the Sang and Zhou Dynasties until the Han Dynasty.This article analysis the different cultural connotation of cultural subjection in different times and draws a conclusion that the image of the white elephant never be a traditional Chinese art motif. By a careful textual research,the author proofed that there were a few records of white elephant narration found in Chinese history Classics but white elephant were laid much emphasis by Buddhist Canons and confessed a fact that it was a unique nature for Buddhist art theme to be represented. There is no doubt about it that origin source of white elephant comes from Buddhist canon and carried it with the Buddhist cultural information. |
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| 目次 | 一、象的文化涵義辨析 60
(一)商周青銅器上象的形象
(二)兩漢之象
二、白象文化涵義解析 65
(一)白象的生物學和社會文化意義
(二)傳統文獻中的白象
(三)佛典中的白象
三、早期佛教造像中的白象 66
四、結語 67
The author hold an opinion that the image of white elephant engraving on a bricks unearthed from the Western Jin Dynasty s brick relief tomb at Foyemiaowan Dunhuang enrich with Buddhist culture,Mr.ZHENG Yan hold an opinion that elephant was a traditional Chinese theme because they were common motif for ancient artist from the Sang and Zhou Dynasties until the Han Dynasty.This article analysis the different cultural connotation of cultural subjection in different times and draws a conclusion that the image of the white elephant never be a traditional Chinese art motif. By a careful in Chinese history Classics but white elephant were laid much emphasis by Buddhist Canons and confessed a fact that it was a unique nature for Buddhist art theme to be represented. There is no doubt about it that origin source of white elephant comes from Buddhist canon and carried it with the Buddhist cultural information. |
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| ISSN | 10004106 (P) |
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| ヒット数 | 363 |
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| 作成日 | 2013.08.19 |
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| 更新日期 | 2019.12.02 |
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