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What is a ‘Buddhist Film?’ |
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| 著者 |
Whalen-Bridge, John
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| 掲載誌 |
Contemporary Buddhism: An Interdisciplinary Journal
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| 巻号 | v.15 n.1 |
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| 出版年月日 | 2014.05 |
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| ページ | 44 - 80 |
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| 出版者 | Routledge |
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| 出版サイト |
https://www.routledge.com/
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| 出版地 | Abingdon, UK [阿賓登, 英國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Special Issue: Buddhism and Film
John Whalen-Bridge is Associate Professor in the Department of English Language and Literature at the National University of Singapore. He is the author of Political Fiction and the American Self and has co-edited a four-book series for SUNY on Buddhism and American culture. Buddhism and American Cinema will be published in 2014.Address: Department of English Language and Literature, National University of Singapore, Block AS5, 7 Arts Link, Singapore 117570. Email: |
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| キーワード | Buddhism in Motion Pictures; Motion Pictures -- Production & Direction; Motion Picture Industry; Film Festivals |
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| 抄録 | Films such as Kundun and Little Buddha are obvious choices to fit the category “Buddhist films,” but critical studies and Buddhist film festivals have in the last decade widened the discussion to include films like The Matrix (1999) and Donnie Darko (2001), raising the question, “What is a Buddhist film?” One way to answer this question is to consider the criteria for selecting films for international Buddhist film festivals. These events include films that directly represent Buddhist characters, rites, beliefs, and material objects, but in addition to overtly Buddhist representations there are regular inclusions of “covertly” Buddhist films. In addition to overt and less direct thematic treatments, the category "Buddhist film" has come to include “draftees”—films that were never intended to express a Buddhist theme but are felt by event organizers to have Buddhist implications even when there is no evidence of Buddhist intention. The practice of interpreting a non-Buddhist film in a Buddhist manner makes Buddhism appear less strange to Western audiences. Buddhist film festivals are thus part of a larger process through which Buddhism adapts and indigenizes itself i"n countries outside of Asia. |
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| 目次 | 1. Representation, intention, and interpretation 46
2. Criteria: The International Buddhist Film Festival approach 48
3. Multiple motivation and artistic expression 52
4. Where is it going? A review of two-dozen Buddhist film festivals 59
Acknowledgements 65
Notes 65
References 71
Filmography 71
Secondary References 76
Film Festivals and Web Links 79
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| ISSN | 14639947 (P); 14767953 (E) |
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| DOI | 10.1080/14639947.2014.890358 |
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| ヒット数 | 456 |
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| 作成日 | 2015.11.11 |
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| 更新日期 | 2017.07.14 |
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