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The Ritual Use of Music in US Jōdo Shinshū Buddhist Communities |
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| 著者 |
Mitchell, Scott A.
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| 掲載誌 |
Contemporary Buddhism: An Interdisciplinary Journal
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| 巻号 | v.15 n.2 |
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| 出版年月日 | 2014.11 |
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| ページ | 356 - 372 |
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| 出版者 | Routledge |
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| 出版サイト |
https://www.routledge.com/
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| 出版地 | Abingdon, UK [阿賓登, 英國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Scott A. Mitchell is an Assistant Dean of Student Affairs at the Institute of Buddhist Studies. Address: Institute of Buddhist Studies, 2140 Durant Ave., Berkeley, CA 94704, USA. Emails: ; |
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| キーワード | Buddhist Music; Christianity; Hymns; Ritual; Buddhism United States |
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| 抄録 | US Jōdo Shinshū Buddhist songs in the style of Christian hymns—what the community refers to as gāthā—are an integral part of the lived experience of North American Shin Buddhism. Rather than focusing on processes of acculturation, in the following paper I take gāthā seriously as a form of Buddhist practice, asking questions related not to their origins or legitimacy but to their function and purpose. I argue that gāthā function as a mechanism by which shifting ideas, attitudes, and practices become normative within the community. This function becomes apparent when gāthā are placed within their larger ritual context and are performed by the community as a whole. Following on Rappaport's analysis of ritual, gāthā serve as indexical expressions of canonical orientations toward Buddhist practice and teachings. |
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| 目次 | Introduction 356
Sunday Dharma service 360
Gatha as performance 362
The function of gatha 364
Conclusion 368
Notes 369
References 370
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| ISSN | 14639947 (P); 14767953 (E) |
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| DOI | 10.1080/14639947.2014.977510 |
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| ヒット数 | 196 |
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| 作成日 | 2015.11.11 |
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| 更新日期 | 2017.07.17 |
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