|
|
|
 |
|
|
|
|
|
|
寶慶寺石佛龕像の研究=A Study on the Stone from Pao-Ch'ing Temple in China, Masterpieces of T'ang Dynastic Sculpture |
|
|
|
| 著者 |
杉山二郎 (著)=Sugiyama, Jiro (au.)
|
|---|
| 掲載誌 |
国際仏教学大学院大学研究紀要=Journal of the International College for Advanced Buddhist Studies=コクサイ ブッキョウガク ダイガクイン ダイガク ケンキュウ キヨウ
|
|---|
| 巻号 | n.4 |
|---|
| 出版年月日 | 2001.03.31 |
|---|
| ページ | 21 - 93 |
|---|
| 出版者 | 国際仏教学大学院大学 |
|---|
| 出版サイト |
http://www.icabs.ac.jp/
|
|---|
| 出版地 | 東京, 日本 [Tokyo, Japan] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 日文=Japanese |
|---|
| 抄録 | The present anticle is on the group of Stone images which belong to the Tokyo National Museum in the gallery of Eastern Antiquities (Room I). It consist of the historical review of the research works which belong to T'ang Dynasty and the precise analyotic "T'ang Style". The group of Stone Statues were originally made by the under of Tse-Tien Wu-hou(則天武后)for Kuang-Chai Temple(光宅寺)at Changan metropolis in Tang Dynasty. They were instalted in the niches outside the seven storied pagoda called Ch'i-pao Lou-Tai(七寶樓壹)in the precinct. When the Temple of Kuang-chai was destroyed, they were Transferred to Pao-ching(寶慶)temple (known by the name of Hua-Ta Temple(花塔寺)as well, and reinstaled in the niches of tile walls of both, outside hexagonal seven-storied pagoda, and the main hall in the early Ching Dynasty when the temple was renovated. The difference in personal-styles among the statues was hitherts discussed by the schotars of The Japanese, especially Dr. Toshio Fukuyama from the point of view of the difference of periods, for they were made since the Inscriptions present the date year marks of Chang-an(長安)and Kai-yuan(開元)etc. However, the auther thinks they were made almost at the same time during the seven yeaes from the second year of Chang-shou(長壽)to the third year of Chang-an(長安)when the construction of Seven-storied Pagoda Ch'i-pao Lou-t'ai was executed by the Wu-hou. These Statues have the differences of the personal Styles from the personalites and techniques, but generally represented by the Period-Style, early Tang Dynastic Style. |
|---|
| 目次 | はじめに 21
一、歴史的俯瞰、光宅寺七寶樓臺考 23
二、龕佛像群の樣式の根源とその伝流 55
三、阿彌陀三尊龕佛と彌勒三尊龕佛を巡って 78 |
|---|
| ISSN | 13434128 (P) |
|---|
| 研究種類 | 佛教圖像; 雕塑造像 |
|---|
| 研究年代 | 唐代 |
|---|
| 研究地域 | 陝西(西安) |
|---|
| ヒット数 | 722 |
|---|
| 作成日 | 2016.03.28 |
|---|
| 更新日期 | 2017.12.05 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
