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当書目の情報提供者は 李玉珉老師 です
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伏虎羅漢、行腳僧、寶勝如來與達摩多羅 -- 11至13世紀中國多民族美術關係史個案分析 |
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| 著者 |
謝繼勝
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| 掲載誌 |
故宮博物院院刊=Palace Museum Journal
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| 巻号 | n.1 |
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| 出版年月日 | 2009 |
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| ページ | 76 - 96 |
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| 出版者 | 紫禁城出版社 |
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| 出版サイト |
http://www.culturefc.cn/index/product.jhtml?act=index
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| 出版地 | 北京, 中國 [Beijing, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 伏虎羅漢=Fuhu Luohan(Crouching Tiger); 行腳僧=Xingjiaoseng(Itinerant Monk); 寶勝如來=Baosheng-Rulai(Ratnasambhava; 達摩多羅=Damoduoluo(Dharmatrata) |
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| 抄録 | 本文從分析寧夏賀蘭山山嘴溝所見伏虎羅漢入手,梳理了漢藏羅漢圖像的差異,重點考察了藏傳佛教羅漢中伏虎羅漢、布袋和尚與達摩多羅圖像的來源。作者認為,達摩多羅名號與圖像的形成與吐蕃禪宗、禪宗保唐派、唐五代行腳僧及其變化的寶勝如來信仰密切相關,并與佛陀波利以及流行于兩宋的布袋和尚信仰相互交織。論文解釋了新羅僧與寶勝如來的信仰如何引發藏傳羅漢達摩多羅與寧夏賀蘭山之間特殊的聯系,這些錯綜復雜的信仰與圖像演變是中國11—13世紀多民族美術關系史的集中映現。
The author begins by examining the images of Fuhu Luohan that appear at Shanzuigou in the Helanshan mountains of Ningxia and examines the different images of Chinese and Tibetan arhats,focusing on the origins of the images of the Tibetan Buddhist arhats-Fuhu Luohan（Crouching Tiger）,Budai-Heshang（Cloth Bag Monk）and Dharmatrata. The author argues that the formation of the titles and images of Dharmatrata are intimately related to the evolution of the beliefs of the Tubo Chan school,the Chan Bao Tang school and the Tang and Five Dynasties belief in Xingjiaoseng（Itinerant Monk）,and that these were interconnected with Fotuoboli and the belief in Budai-Heshang（Cloth Bag Monk）popular in the Northern and Southern Song dynasties.The article also explains how belief in Xinluo- seng,the Monk of Si]la,and in Baosheng-Rulai（Ratnasambhava）led to the special relationship between the Tibetan Dharmatrata and the Helanshan area of Ningxia.The complex evolution of these beliefs and imagery reflects the multicultural blending that characterizes the development of Chinese Buddhist art from the 11thcentury to the present day. |
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| 目次 | 伏虎羅漢、行腳僧、寶勝如來與達摩多羅 77
蕃夏文化交流與達摩多羅圖像形成 86
結論 95 |
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| ISSN | 04527402 (P); 04527402 (E) |
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| 研究年代 | 元代 |
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| 研究地域 | 內蒙古; 甘肅; 西藏; 河北; 寧夏 |
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| ヒット数 | 259 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2019.09.18 |
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