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当書目の情報提供者は 李玉珉老師 です
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中國西南地區錢樹佛像的考古發現與考察=Archaeological Discovery and Study of Legendary Coin-shedding Tree and Buddha Images in Southwestern China |
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| 著者 |
霍巍
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| 掲載誌 |
考古=Archaeology
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| 巻号 | n.3 |
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| 出版年月日 | 2007 |
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| ページ | 70 - 81 |
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| 出版者 | 考古雜誌社 |
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| 出版地 | 北京, 中國 [Beijing, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 西南地區=southwestern China; 搖錢樹=legendary coin-shedding tree; 早期佛像=early Buddha images; 西王母=Queen Mother of the West |
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| 抄録 | 錢樹佛像的分布是以四川為中心,流行于東漢晚期至蜀漢時期。長江上游與中、下游地區早期佛像的差異較大,不存在直接傳遞關系,佛教傳播的途徑可能不同。研究錢樹佛像的文化內涵,應當突破單純佛教藝術的視角,與當時中國傳統文化的西王母崇拜、天門和天柱的象征意義,以及"化胡"風氣等聯系起來。
It has been clarified through the systematization and study of archaeologically disco- vered and handed-down legendary coin-shedding tree and Buddha images that these objects were products in the Han cultural circle centered on the Sichuan Basin and prevailed mainly in the late Eastern Han to Shu Han period.In the 2nd and 3nd centuries C.E.,distinct difference appeared between the early Buddha images in the upper Yangtze River and those in the middle and lower valley of the River.There must have been no direct inheritance as the spread of Buddhism in these regions was very probably via different routes.The cultural meanings of coin-shedding tree and Buddha images in southwestern China should be explored by connecting these representations with the worship of Queen Mother of the West and God Kunlun and the symbolic meanings of the Heaven gate and Heaven column in China’s traditional culture, as well as the fashion of "pursuing Buddhahood" prevailing at that time. |
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| 目次 | 一、錢樹佛像的發現及其形制特徵 70
二、錢樹佛像的年代 74
三、與周邊地區早期佛像的比較 74
四、錢樹主尊的置換及其文化內涵 76
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| ISSN | 04532899 (P); 04532899 (E) |
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| 研究種類 | 佛教-歷史 |
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| 研究年代 | 唐代 |
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| 研究地域 | 四川 |
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| ヒット数 | 199 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2019.10.18 |
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