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当書目の情報提供者は 李玉珉老師 です
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敦煌壁畫西方淨土變與藥師淨土變對置成因分析=On the Contraposition of the Illustrations of the Western Paradise Sutra and of the Bhaisajya-guru Sutra in Dunhuang Wall Paintings |
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| 著者 |
米德昉
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.5 (總號=n.141) |
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| 出版年月日 | 2013.10 |
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| ページ | 51 - 59 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 西方淨土變; 藥師淨土變; 對置; 信仰 |
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| 抄録 | 初唐以降,敦煌石窟諸多經變在繪制位置上日趨固定,某些經變相互間逐漸形成一種空間搭配關系。其中西方凈土變與藥師凈土變即是一例,二經變多繪于主室南、北壁,呈對置之勢。此格局被后期諸窟所沿用,并最終形成一種流行范式。這種范式既表達了彌陀與藥師二法門的有機融攝和互補,又彰顯了佛教對世俗凡眾死生兩極的無微關懷。
Since the early Tang dynasty,the locations of many sutra illustrations had become more fixed in Dunhuang caves,and some of these illustrations appeared in opposed pairs,such as the illustrations of both the Western Pure Land and the Bhaisajya-guru’s Pure Land,which were usually painted on the south and north walls,respectively,in the main chamber.This tradition was followed in later times and became a fixed model,not only expressing their mutual complementarity,but also emphasizing the meticulous care of Buddhism for the life and death of humans. |
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| ISSN | 10004106 (P) |
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| 研究年代 | 西夏 |
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| 研究地域 | 甘肅(敦煌莫高窟) |
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| ヒット数 | 280 |
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| 作成日 | 2016.05.12 |
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| 更新日期 | 2018.05.22 |
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