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Ninnaji and Otherworlds in the Nō Tsunemasa |
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| 著者 |
Oyler, Elizabeth
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| 掲載誌 |
Journal of Religion in Japan
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| 巻号 | v.2 n.2-3 |
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| 出版年月日 | 2013 |
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| ページ | 152 - 170 |
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| 出版者 | Brill |
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| 出版サイト |
http://www.brill.com/
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| 出版地 | Leiden, the Netherlands [萊登, 荷蘭] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| キーワード | Heike monogatari; Taira family history; medieval performance studies; Nō drama |
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| 抄録 | This essay discusses the Nō Tsunemasa in connection with narratives about the life of the warrior Taira Tsunemasa, killed during the Genpei War, and his biwa lute, Seizan. A mugen Nō (“dream Nō,” in which the main character, the shite, is a ghost) in one act, the play exhibits an unusual structure: it is the enactment of a memorial musical service for the dead Tsunemasa, set at Ninnaji, the temple at which he served during his youth, rather than at the locale where he died, the more common setting for such plays. Focusing on Ninnaji as the setting for the play, I discuss how its structure as a performance of a service creates connections with several other scenes of virtuoso biwa performance found in Tsunemasa’s life story. I argue that the play’s use of the meaningful site of Ninnaji—arguably the center of Shingon practice and a temple at which royal princes served as Omuro, or “prince-abbot”—creates complex ways of addressing the character of Tsunemasa historically and within the performance traditions of Heike monogatari recitation and the Nō. |
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| ISSN | 22118330 (P); 22118349 (E) |
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| DOI | 10.1163/22118349-12341257 |
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| ヒット数 | 79 |
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| 作成日 | 2017.03.15 |
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| 更新日期 | 2020.04.30 |
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