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Art, Liturgy and the Transformation of Memory: Christian Rapprochement with Buddhism in Post-Independence Sri Lanka |
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| 著者 |
Harris, Elizabeth J.
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| 掲載誌 |
Religions of South Asia
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| 巻号 | v.10 n.1 |
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| 出版年月日 | 2016 |
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| ページ | 54 - 82 |
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| 出版者 | Equinox Publishing Ltd. |
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| 出版サイト |
https://www.equinoxpub.com/home/
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| 出版地 | Sheffield, UK [謝菲爾德, 英國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| 抄録 | In the middle of the twentieth century, a group of Sri Lankan Christians, from a diversity of churches, sought rapprochement with Buddhism, in the context of long-standing Buddhist mistrust of Christianity, conditioned by memory of the colonial period. They included Yohan Devananda, Vijaya Vidyasagara, Michael Rodrigo omi, and Aloysius Pieris sj. One face of this wish for rapprochement found expression in the performative. Devananda devised a ‘New World Liturgy’ for his Christian ashram that included Buddhist readings. Vidyasagara, through the Christian Workers Fellowship (CWF), helped create a Workers’ Mass that used Buddhist terminology to highlight elements within Christianity. Rodrigo, who was murdered in 1987 whilst he was living in an entirely Buddhist village, expressed what he had learned from the Buddhists of this village in poetry and participated in Buddhist rituals and festivals. Pieris, at his research and dialogue centre, Tulana, invited Buddhist artists to interpret Christian themes through art. This article examines these examples against the backdrop of Buddhist mistrust of Christianity stemming from Sri Lanka’s colonial past and explores the extent to which the expression of respect by Christians through the performative has transformed memory of the colonial period. |
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| ISSN | 17512689 (P); 17512697 (E) |
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| DOI | 10.1558/rosa.29541 |
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| ヒット数 | 246 |
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| 作成日 | 2017.08.03 |
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| 更新日期 | 2017.08.04 |
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