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似相非相觀自在：夏荊山達摩系列名作=The Familiar yet Unfamiliar Avalokitesvara: Masterpieces From Xia Jing Shan's Bodhidharma Series |
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| 著者 |
李清瑞 (主編)=Lee Chin -Jui (Editor-in-Chief)
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| 掲載誌 |
荊山美學=Jing Shan Aesthetica
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| 巻号 | n.6 |
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| 出版年月日 | 2020.05 |
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| ページ | 68 - 72 |
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| 出版者 | 財團法人夏荊山文化藝術基金會 |
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| 出版サイト |
http://www.xjsacf.com/
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| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese; 英文=English |
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| 抄録 | 傳說達摩本為天竺王子，南北朝期間自印度航海至中國教導禪法。夏荊山感佩於達摩祖師遠渡傳法的高尚行誼理念，特引經據典恭繪之，並藉圖像注入佛法義理，突顯出達摩禪法的簡明深刻與夏荊山精神修持。
達摩系列風格主要分為工筆遵循佛畫儀軌造像，和富禪機寫意表現水墨趣味的兩大相貌。畫面融合東西方美學，繼承傳統書畫形式並創新立意，呈現達摩祖師反璞歸真、簡逸自在的莊嚴境界。
Legend has it that the Bodhidharma was originally a Brahma prince, and during the Liu Song Dynasty (Around 470-478 A.D.), came across from India to China to teach Zen Buddhism. Xia Jing Shan was highly respectful of the Bodhidharma's noble actions and ideals in traversing the sea to spread the words of Buddhism, and thus composed the paintings in worship, basing the work on the classical texts. The meanings and ideals of Dharma were also injected into the paintings in order to emphasize the simple yet profound nature of Bodhidharma's Zen Buddhism as well as Xia Jing Shan's spiritual practices.
The style of the Bodhidharma series is mainly seen through two major aspects: the formation of the character by following the typical Buddhist painting rituals using Gongbi, while the rich connotations of Zen present the interesting nature of water ink. The paintings fuse Eastern and Western aesthetics, where traditional painting and calligraphic styles are used innovatively to give new meanings. It presents the solemn state where the Bodhidharma has returned to a natural state of being, in which things are simple and without constraints. |
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| ISSN | 24107719 |
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| ヒット数 | 121 |
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| 作成日 | 2020.07.01 |
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| 更新日期 | 2020.07.02 |
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