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杭州七寶山仁王寺摩崖造像調查及相關問題=On the Cliff Statues of the Renwang Temple at Qibaoshan Area of Hangzhou and Related Issues |
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| 著者 |
賴天兵 (著)=Lai, Tian-bing (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.2 (總號=n.180) |
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| 出版年月日 | 2020 |
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| ページ | 26 - 33 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：杭州佛學院教理院 |
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| キーワード | 杭州=angzhou; 七寶山=Qibaoshan; 佛教摩崖造像=Buddhist cliff statues; 年代=date; 題材=theme |
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| 抄録 | 浙江省杭州市七寶山仁王寺遺址以北的佛教造像,存造像三龕,凡五尊,擁有我國古代已知體量最大的漢傳僧人像龕。依據造像造型、題材結合史料分析,推測摩崖造像始鑿於附宋之後。 10世紀後,兩浙地區開始成為全國的佛教中心之一。七寶山造像突破了漢地僧人像的製作規模。宏大的僧人像、西方三聖來迎像的塑造,是南方地區佛教信仰進一步本地化、大眾化的重要標志。
The Buddhist cliff statues to the north of the Renwang Temple site in Qibaoshan in Hangzhou,Zhejiang Province, which contains a total of three niches and five statues, contains the largest statues of monks carved in the tradition of Han Buddhism from ancient China to have been discovered to date. Judging from the style, themes, and relevant historical records, it can be speculated that these cliff statues were carved during the Northern Song dynasty(978—1127). Since the tenth century, the ancient Liangzhe area(including modern Zhejiang, Shanghai and southern Jiangsu) had become a center of Buddhist activity. The Buddhist statues from Qibaoshan surpass the previous monk statues of the Central Plains in scale and appearance; these magnificent monk statues and accompanying Western Trinity symbols placed to welcome the souls of the dead further signify the historical process of localization and popularization that Buddhism underwent in southern China during the Song dynasty. |
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| 目次 | 一 摩崖造像遺存 27
1．第1龕 27
2．第2龕 28
3．第3龕 28
二 年代 29
1．史籍記載 29
2．造型分析 30
三 題材內容 31
四 結語 33 |
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| ISSN | 10004106 (P) |
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| ヒット数 | 98 |
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| 作成日 | 2020.11.10 |
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