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Studying Buddhist Sculptures in Context (I): The Case of a Buddha Figure from But Kara III, Gandhāra |
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著者 |
Khan, M. Nasim (著)
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掲載誌 |
創価大学国際仏教学高等研究所年報=Annual Report of the International Research Institute for Advanced Buddhology at Soka University=ソウカ ダイガク コクサイ ブッキョウガク コウトウ ケンキュウジョ ネンポウ
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巻号 | v.22 |
出版年月日 | 2019 |
ページ | 347 - 358 |
出版者 | 創価大学・国際仏教学高等研究所 |
出版サイト |
http://iriab.soka.ac.jp/publication/
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出版地 | 八王子, 日本 [Hachioji, Japan] |
資料の種類 | 期刊論文=Journal Article |
言語 | 英文=English |
キーワード | But Kara III; Excavation; Buddha image; Buddhist iconography; Buddhist architecture; Swat; Gandhāra |
抄録 | Sculpture is considered part of a culture and it generally belongs to the situation within which it exists or happens. Its study in cultural context would, therefore, means explaining the purpose, background, the situation and the circumstances that formed the setting of an event or idea, and in terms of which it could be fully understood. The sculpture and the purpose and the situation in which it is used is generally misinterpreted when it is studied without explaining its cultural context as it is the case of sculptures recovered from Butkara III, hereafter BK III, Buddhist site in Swat, in ancient Gandhāra. The sculptures from BK III were found in their proper archaeological context, hence the space used for architecture and the place of iconography in this milieu is, therefore, important for better understanding the iconographic development and date of sculptures recovered from BK III, most particularly the figure of a Buddha (fig.5) or Bodhisattva1 which is similar to some other sculptures found in the area. |
目次 | Discussion and Conclusion 353 |
ISSN | 13438980 (P) |
ヒット数 | 98 |
作成日 | 2021.11.19 |
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