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Song, Dance, and Instrumental Music in Buddhist Canon Law |
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| 著者 |
Liu, Cuilan (撰)
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| 出版年月日 | 2014 |
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| 出版者 | Harvard University |
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| 出版サイト |
https://www.harvard.edu/
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| 出版地 | Cambridge, MA, US [劍橋, 麻薩諸塞州, 美國] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 博士 |
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| 学校 | Harvard Divinity School |
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| 学部・学科名 | South Asian Studies |
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| 指導教官 | van der Kuijp, Leonard Willem J |
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| 卒業年 | 2014 |
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| 抄録 | Maintaining a balanced approach to music is a shared challenge in all religions. Depending on the context in which music is used in religious activities, it is either praised as a powerful medium to please the divine or condemned as a sensual allurement that hinders spiritual advancement. This study discusses the treatment of vocal and instrumental music as well as the allied category of dance in Buddhism. Specifically, it analyzes the regulations of different forms of musical activities in Buddhist canon law and their subsequent interpretation in Tibet and China. |
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| ヒット数 | 332 |
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| 作成日 | 2021.12.12 |
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