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金針度人，功德無量——捧讀《敦煌藝術大辭典》感言=The Boundless Bounty of “Teaching Men to Fish”——A Respectful Reading of the Dunhuang Art Dictionary |
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| 著者 |
柴劍虹 (著)=Chai, Jian-hong (au.)
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| 掲載誌 |
敦煌研究=Dunhuang Research
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| 巻号 | n.1 (總號=n.185) |
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| 出版年月日 | 2021 |
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| ページ | 148 - 155 |
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| 出版者 | 敦煌研究編輯部 |
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| 出版サイト |
http://www.dha.ac.cn/
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| 出版地 | 蘭州, 中國 [Lanzhou, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| ノート | 作者單位：中華書局 |
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| キーワード | 敦煌藝術=Dunhuagn art; 編纂特色=compilation style |
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| 抄録 | 回顧了自敦煌學界編纂《敦煌學大辭典》到《敦煌藝術大辭典》"十年磨一劍"的艱辛歷程，從詞目分類、數量、內容創新，老、中、青三代學者的編撰隊伍和編委組成，詞目釋文文體特色及高清數字化彩圖的運用等方面，指出《敦煌藝術大辭典》的問世，不僅填補了敦煌藝術研究在大型專科辭書出版領域的空白，而且對于向廣大讀者介紹敦煌藝術和集大成的研究成果，兼有普及、提高和引領的作用，實可謂是以金針度人，功德無量！
This paper reviews the arduous course of years over which various academics of Dunhuang studies compiled the Dictionary of Dunhuang Studies and Dunhuang Art Dictionary. These works can be considered monumental achievements for a wealth of reasons: the categories covered, number of items contained and the innovation of the contents; the fact that these works were compiled and edited by three generations of researchers, and the stylistic features of the annotative text and effective application of high-definition digital color images. The publication of these dictionaries not only fills a large blank in the canon of Dunhuang art reference texts, it also serves the noble goal of introducing Dunhuang art to a wider audience. For the value of these texts within the discipline and beyond, these compendiums truly exemplify the merit of passing on knowledge-teaching men to fish truly feeds for a lifetime. |
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| ISSN | 10004106 (P) |
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| ヒット数 | 223 |
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| 作成日 | 2022.02.16 |
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| 更新日期 | 2022.02.16 |
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