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The Power of Suggestion: Rasa, Dhvani, and the Ineffable |
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| 著者 |
Widdison, Lisa (著)
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| 掲載誌 |
Journal of Dharma Studies: Asian and Transcultural Religion, Philosophy, & Ethics
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| 巻号 | v.2 n.1 |
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| 出版年月日 | 2019.06 |
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| ページ | 1 - 14 |
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| 出版者 | Springer |
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| 出版サイト |
https://www.springer.com/gp
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| 出版地 | Berlin, Germany [柏林, 德國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Authors and Affiliations: Department of Philosophy, University of Hawaii at Manoa, 2580 Dole St, Honolulu, HI, 96822, USA |
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| キーワード | Suggestion; Rasa; Dhvani; Aestheticized emotions; Wonder; Self-knowledge; Ānandavardhana; Abhinavagupta; Thomas Reid |
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| 抄録 | There is no denying the difficulty of expressing in words the meanings behind complex emotions. If they cannot be conveyed because they are personal and private, then how are they conveyed when they are neither entirely private nor personal, as in the case of generalized emotions, or the rasa experience? In Ānandavardhana’s Dhvanyāloka, we find a theory of suggestion (dhvani) which can be expanded beyond poetics to account for the evocative nature of emotion outside of all other modes of expression. The result of dhvani in art experiences is the manifestation of aestheticized emotions (rasadhvani). When language serves art, it neither negates nor dispenses with linguistic apprehension. Rather, it delivers more than language can: the ineffable essence of the subject who experiences love, compassion, grief, the comic, and more, including quietude. I argue the question of the sentient subject is conveyed all the better in aesthetic suggestion, precisely because whether or not an artistic construction makes use of linguistic devices, the arts, whether they be theater, dance, or poetry, defies the confines of language. The ineffable subject is made tangible, in ordinary as well as extraordinary ways. |
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| 目次 |
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| ISSN | 25220926 (P); 25220934 (E) |
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| DOI | https://doi.org/10.1007/s42240-019-00032-3 |
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| ヒット数 | 30 |
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| 作成日 | 2022.08.25 |
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| 更新日期 | 2022.08.25 |
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