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從藝術生命綻放的花朵－談豐子愷的漫畫創作=Flowers Blooming from the Life of an Artist: Feng Tze-kai's Creative Comics |
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| 著者 |
高明芳 (著)=Kao, Ming-fang (au.)
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| 掲載誌 |
國史館學術集刊=Bulletin of Academia Historica
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| 巻号 | n.15 |
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| 出版年月日 | 2008.03.01 |
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| ページ | 209 - 252 |
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| 出版者 | 國史館 |
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| 出版サイト |
https://www.drnh.gov.tw/index.php
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| 出版地 | 臺北, 臺灣 [Taipei, Taiwan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 豐子愷=Feng Tze-kai; 漫畫=comics; 插圖=illustrations; 白描=plain drawing; 藝術=art |
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| 抄録 | 一般人提到豐子愷(1898-1975)，首先聯想到的就是「子愷漫畫」。從第一張漫畫「人散後，一鉤新月天如水」在《我們的七月》刊物上發表之後，豐子愷習慣以寫隨筆的方式，用漫畫吐露內在的心聲，並藉著生活化的取材與描繪，傳達對社會以及周遭人事物的看法。
豐子愷個人所學廣博，他的漫畫創作植根於生活，無論是篆刻、翻譯、散文、作曲，或是藝術論著、鋼琴等樂器的實際演奏，凡此種種，都是他漫畫無窮的創作源泉。因此，豐子愷的漫畫創作，是從其藝術生命中吸取養分而綻放的花朵。
透過豐子愷的漫畫創作，彷彿展讀一幅清新、雍容的現代水墨長卷。在天光雲影之間，可以吟詠來自藝術家心靈深處最赤誠優美的天籟，品味大千世界裡溫馨的人間情懷，並且諦聽時代潮汐拍岸的巨響。而豐子愷漫畫風格獨具的那份簡樸、和煦、雅俗共賞卻又靈光閃耀的風華，即是漫溢在整幅畫卷裡芬馥的芳香。
Generally, when people speak of Feng Tze-kai (1898-1975), they think of his comic drawings. Since his first drawing-”A New Moon in the Watery Sky after a Party,” which appeared in Our July, Feng Tze-kai became used to writing and drawing in a casual way, murmuring his mind through his drawings, taking the topics from everyday life, and trying to express his ideas about the society and the people around.
Feng Tze-kai was a very well-read person, excelling in many art forms besides drawings, e.g., seal type cutting, translating, prose writing, music composing, art criticism, musical instrument playing, etc. All these different talents and experiences, along with everyday life experiences, provided him with endless resources for creation. Thus, we can say that the comic creations of Feng Tze-kai were like the flowers blooming from the soil of his artistic life.
Feng Tze-kai's comic creations were like a scroll of modern ink paintings, where we seem to hear the truest and profoundest song flowing out of the artist's innermost soul, or to enjoy the warmest concerns of kindly human beings and the crashing roars of turning of different ages. The very simplicity, the warmth, and the perfect combination of the elegant with the ordinary has given Feng Tze-kai's works a special tone, which emerges here and there with fragrance all over his drawings. |
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| 目次 | 摘要 209
Abstract 210
壹、前言 211
貳、豐子愷的漫畫生涯 213
(一)無師自通的「印畫」時期 213
(二)藝術心靈的開啟 215
(三)「子愷漫畫」的誕生 216
(四)古詩新畫時期 218
(五)兒童相時期 219
(六)社會相時期 221
(七)自然相時期 223
(八)臺灣采風 227
(九)漫畫創作的斂藏與沉寂 229
參、豐子愷的漫畫師承 232
肆、豐子愷漫畫創作的風格與特色 234
(一)親切平實的生活化描繪 235
(二)現實感與大眾化的特質 236
(三)中國傳統文化濃郁的書卷氣息 239
(四)純真幸福與美麗的童心 240
伍、豐子愷漫畫創作的評價和影響 243
陸、結語 245
徵引書目 248 |
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| ISSN | 17267331 (P) |
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| DOI | 10.7058/BAH.200803.0209 |
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| ヒット数 | 63 |
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| 作成日 | 2022.11.18 |
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| 更新日期 | 2022.11.18 |
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