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覚如作『親鸞伝絵』における初稿本系の先後関係=Which is the First Revised Edition of the Shinran denne 親鸞伝絵 Produced by Kakunyo 覚如, the Rinna-bon 琳阿本 or the Takada-bon 高田本 ? |
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| 著者 |
山口務 (著)=Yamaguchi, Tsutomu (au.)
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| 掲載誌 |
印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū
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| 巻号 | v.70 n.1 (總號=n.155) |
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| 出版年月日 | 2021.12.20 |
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| ページ | 296 - 291 |
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| 出版者 | 日本印度学仏教学会 |
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| 出版サイト |
http://www.jaibs.jp/
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| 出版地 | 東京, 日本 [Tokyo, Japan] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 日文=Japanese |
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| キーワード | 覚如; 親鸞伝絵; 初稿本系の先後関係; 親鸞の尊称; 親鸞の帽子 |
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| 抄録 | The first Shinran dennne 親鸞伝絵 was produced by Kakunyo 覚如, but the first book was lost. He revised the book many times and there are 5 revised editions extant. Among these 5 revised editions, the Rinna-bon 琳阿本 and the Takada-bon 高田本 are early revised editions, but it is not yet confirmed which is the first. For the title of honor given to Shinran, the Rinna-bon uses Shōnin 上人 to refer to Shinran as a student of Hōnen, and Shōnin 聖人 to refer to him as Hōnen’s successor. On the other hand, the Takada-bon uses both Shōnin 上人 and Shōnin 聖人 like the Rinna-bon, but from the scene Inadakōbō 稲田興法 （下巻 第二段） onward uses only Shōnin 聖人. In the Kōei-bon 康永本, held to be the complete edition among the 5 revised editions, only Shōnin 聖人 is used in all scenes. Does the use of only Shōnin 聖人 from the scene Inadakōbō onward in the Takada-bon indicate a transitional form to the Kōei-bon, or is it an accidental result?
It may be incidentally noted that the Mōsu 帽子 garment is one of the characteristics of Shinran. In the Kōei-bon, Shinran wears a Mōsu from the scene Inadakōbō onward, so Kakunyo recognized the importance of the scene Inadakōbō. Accordingly, the use of only Shōnin 聖人 from the scene Inadakōbō onward in the Takada-bon points not to an accidental result but an intentional usage of Kakunyo, and indicates a transitional form to the Kōei-bon. Consequently, the first revised edition of the Shinran denne produced by Kakunyo is the Rinna-bon that does not involve the transitional form to the Kōei-bon. |
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| 目次 | 1．はじめに 296
2．初稿本系の先後関係についての先行研究の概要 296
2.1. 大谷廟堂の内部の絵相 296
2.2. 琳阿本上巻の最後にある入西鑑察の場面 295
3．琳阿本と高田本における親鸞の尊称 295
4．康永本（決定版）と照願寺本における稲田興法の場面以降の重要性 294
5．琳阿本と高田本の位置付け 292 |
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| ISSN | 00194344 (P); 18840051 (E) |
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| DOI | https://doi.org/10.4259/ibk.70.1_296 |
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| ヒット数 | 237 |
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| 作成日 | 2023.01.05 |
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| 更新日期 | 2023.01.05 |
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