 |
|
|
|
|
|
|
Tri-Svabhava-Vada: Yogacara Buddhist Theory Applied On Film |
|
|
|
| 著者 |
Herbertsson, Mattias (著)
|
|---|
| 出版年月日 | 2008.01 |
|---|
| ページ | 30 |
|---|
| 出版者 | Växjö University |
|---|
| 出版地 | Sweden [瑞典] |
|---|
| 資料の種類 | 博碩士論文=Thesis and Dissertation |
|---|
| 言語 | 英文=English |
|---|
| 学位 | 学士 |
|---|
| 学校 | Växjö University |
|---|
| 学部・学科名 | Humanities |
|---|
| 指導教官 | Olof Hedling |
|---|
| キーワード | Fight Club; Yogacara; Cittamatra; Triple nature of reality; Tri-svabhava-vada |
|---|
| 抄録 | A ‘religion means Christianity’ equivalence seem to be predominant within the academic publications on religion and film. If a ‘philosophical’ film does not fit within the Christian doctrine, secular philosophies are usually applied to it. This paper tries to do a Buddhist analysis of the film Fight Club (David Fincher, 1999). The Yogacara Buddhist doctrine is used as a base for the thematic analysis, its vocabulary is applied on the narrative progression of the films protagonist. Structure: The paper starts with an introduction on how Buddhism came about through the life story of the Buddha, and then goes deeper into the Buddhist doctrine of thought. It concludes by using Yogacara Buddhist theories and vocabulary in a thematic analysis of the film Fight Club. |
|---|
| ヒット数 | 259 |
|---|
| 作成日 | 2023.03.08 |
|---|
| 更新日期 | 2023.03.08 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
