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Kumano Nachi Mandalas: Medieval Landscape, Medieval National Identity |
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| 著者 |
Gossett, Sarah E (著)
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| 出版年月日 | 2017.01 |
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| ページ | 46 |
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| 出版者 | Arizona State University |
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| 出版サイト |
https://www.asu.edu/
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| 出版地 | Tempe, AZ, US [坦佩, 亞利桑那州, 美國] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | Arizona State University |
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| 学部・学科名 | History |
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| 指導教官 | Claudia Brown |
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| 抄録 | A Japanese national identity is generally thought to have originated in the 17th century, with the advent of the Kokugaku movement. I will argue that there is earlier evidence for the existence of a Japanese national identity in the Kumano Nachi mandalas of the Kamakura and Muromachi periods. These mandalas employ the Nachi waterfall as a symbol of the strength and power of the Japanese land, counterbalancing Chinese Buddhist visual motifs. In this paper, I further assert that these mandalas are an early example of an artistic tradition of painting specific landscape features as symbols of a Japanese national identity, and that this tradition continues into the modern period. / Dissertation/Thesis / Masters Thesis Art History 2017 |
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| ヒット数 | 233 |
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| 作成日 | 2023.04.26 |
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| 更新日期 | 2023.04.26 |
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