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Stella Bloch and the Politics of Art and Dance |
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| 著者 |
Croswell, Kimberly Dawn (著)
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| 出版年月日 | 2010.04.12 |
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| ページ | 60 |
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| 出版者 | University of Victoria |
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| 出版サイト |
https://www.uvic.ca/
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| 出版地 | Victoria, BC, Canada [維多利亞, 不列顛哥倫比亞省, 加拿大] |
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| 資料の種類 | 博碩士論文=Thesis and Dissertation |
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| 言語 | 英文=English |
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| 学位 | 修士 |
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| 学校 | University of Victoria |
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| 学部・学科名 | History in Art |
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| 指導教官 | Allan Antliff |
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| 卒業年 | 2010 |
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| 抄録 | This thesis examines the early career and art criticism of Stella Bloch, an artist. dancer and writer who was active in New York City during the World War One era. I focus on Bloch's most important essays from this period: -'Intuitions" (I 919) and Dancing and the Drama, East &. West (1922). In "Intuitions" Bloch developed a theory of aesthetics based on her study of Nietzsche and Buddhism. Dancing and the Drama, East & West incorporated this theory into the concept of an "ideal drama," which I have analysed as "orientalist." Linking Bloch's anti-colonial "orientalism" to that of her mentor, Ananda Coomaraswamy, I demonstrate that though Bloch's "ideal drama" was an ambitious critique of the social and artistic values of Western culture, it was still caught up in the "orientalist" discourses of the period. |
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| ヒット数 | 202 |
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| 作成日 | 2023.04.28 |
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| 更新日期 | 2023.07.05 |
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