|
|
|
 |
|
|
|
|
|
|
Three Plays and a Shared Socio-spiritual Horizon in the Modern Buddhist Revivals in India and China |
|
|
|
| 著者 |
Zu, Jessica (著)
|
|---|
| 掲載誌 |
International Journal of Asian Studies
|
|---|
| 巻号 | v.19 n.2 |
|---|
| 出版年月日 | 2022.07 |
|---|
| ページ | 215 - 238 |
|---|
| 出版者 | Cambridge University Press |
|---|
| 出版サイト |
https://www.cambridge.org/
|
|---|
| 出版地 | Cambridge, UK [劍橋, 英國] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 英文=English |
|---|
| ノート | Jessica Zu, USC Dornsife, School of Religion, Los Angeles, California, USA.
|
|---|
| キーワード | Buddhist modernism; colonial gaze; Peking operas; social consciousness; Tagore; universal religion |
|---|
| 抄録 | The current study reveals that the Buddhist egalitarian spiritual message found global resonance in an era of globalized inequality. By comparing three modern retellings of an ancient romance between an outcaste (untouchable/Dalit) maiden and the Buddha's attendant Ānanda, this study showcases a shared socio-spiritual horizon that emerged in the Indian and Chinese Buddhist revivals and that thwarted colonial epistemic domination and offered powerful social critiques. More specifically, this study shows that the Indian and Chinese afterlives of the romance display innovative formations of Buddhist social consciousness. The authors reinterpreted equality and freedom on Buddhist terms, creating a new standard of civilization. Employing this “already democratic” Buddhist civilization, they launched critiques of the Indian caste system and Chinese patriarchy. This socio-spiritual horizon subverts the typecast images of “spiritual India” and “rational China.” Whereas these images reflect the limits of the comparative lens based on political regimes – namely, Indian democracy and Chinese socialism – the current study goes beyond regime types by examining diverse formations of universal religion in the cultural sphere. More broadly, a critical strategy for provincializing Europe is to block the colonial gaze and instead showcase the vibrant cultural productions and meaning-making that circulated at the margins of empire. |
|---|
| 目次 | Abstract 215
One Buddhist romance, multiple transmissions 218
Chandalika, the Poona Act, and the birth of Buddhist social consciousness in India 221
The Chinese Retelling of Modengjia nü: from a prostitute to the Buddhist ‘modern girl’ 225
The promises and limits of cultural comparisons 236
References 237 |
|---|
| ISSN | 14795914 (P); 14795922 (E) |
|---|
| DOI | https://doi.org/10.1017/S1479591421000309 |
|---|
| ヒット数 | 104 |
|---|
| 作成日 | 2023.06.17 |
|---|
| 更新日期 | 2023.06.17 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
