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Holy Ghosts: The Christian Century in Modern Japanese Fiction
著者 Suter, Rebecca (著)
出版年月日2015.02.28
ページ206
出版者University of Hawai‘i Press
出版サイト https://uhpress.hawaii.edu/
出版地Honolulu, HI, US [檀香山, 夏威夷州, 美國]
資料の種類書籍=Book
言語英文=English
ノートRebecca Suter is associate professor of Japanese studies and comparative literature at the University of Sydney.
キーワードJapan; Christian century; creative interpretation; cultural negotiation; East-West relations; global modernity; Japanese literature; Japanese film; manga; anime
抄録Christians are a tiny minority in Japan, less than one percent of the total population. Yet Christianity is ubiquitous in Japanese popular culture. From the giant mutant “angels” of the Neon Genesis Evangelion franchise to the Jesus-themed cocktails enjoyed by customers in Tokyo’s Christon café, Japanese popular culture appropriates Christianity in both humorous and unsettling ways. By treating the Western religion as an exotic cultural practice, Japanese demonstrate the reversibility of cultural stereotypes and force us to reconsider common views of global cultural flows and East-West relations.

Of particular interest is the repeated reappearance in modern fiction of the so-called “Christian century” of Japan (1549–1638), the period between the arrival of the Jesuit missionaries and the last Christian revolt before the final ban on the foreign religion. Literary authors as different as Akutagawa Ryūnosuke, Endō Shūsaku, Yamada Fūtarō, and Takemoto Novala, as well as film directors, manga and anime authors, and videogame producers have all expressed their fascination with the lives and works of Catholic missionaries and Japanese converts and produced imaginative reinterpretations of the period. In Holy Ghosts, Rebecca Suter explores the reasons behind the popularity of the Christian century in modern Japanese fiction and reflects on the role of cross-cultural representations in Japan. Since the opening of the ports in the Meiji period, Japan’s relationship with Euro-American culture has oscillated between a drive towards Westernization and an antithetical urge to “return to Asia.” Exploring the twentieth-century’s fascination with the Christian Century enables Suter to reflect on modern Japan’s complex combination of Orientalism, self-Orientalism, and Occidentalism.

By looking back at a time when the Japanese interacted with Europeans in ways that were both similar to and different from modern dealings, fictional representations of the Christian century offer an opportunity to reflect critically not only on cross-cultural negotiation but also more broadly on both Japanese and Western social and political formations. The ghosts of the Christian century that haunt modern Japanese fiction thus prompt us to rethink conventional notions of East-West exchanges, mutual representations, and power relations, complicating our understanding of global modernity.
目次Front Matter
Copyright Page
Dedication
Acknowledgments
Introduction
1 Contexts
2 A Poetic Religion Full of Paradoxes
3 Martyrs, Apostates, and the Modern Japanese Subject
4 Resurrection as Zombie Revolution
5 From Counter-Orientalism to Queer Spirituality
Conclusion
End Matter
Notes
Works Cited
Index
About the Author
Production Notes
ISBN9780824840013 (hc); 9780824868581 (eb); 9780824875237 (pbk)
DOIhttps://doi.org/10.21313/hawaii/9780824840013.001.0001
関連書評
  1. Book Reviews: State of the Field—Early Modern and Modern Japanese Religious Studies: Women in Japanese Religions by Barbara R. Ambros; Government by Mourning: Death and Political Integration in Japan, 1603–1912 by Atsuko Hirai; Religious Discourse in Modern Japan: Religion, State, and Shintō by Jun'ichi Isomae, translated by Galen Amstutz and Lynne E. Riggs; Conquering Demons: The “Kirishitan,” Japan, and the World in Early Modern Japanese Literature by Jan C. Leuchtenberger; Buddhism, Unitarianism, and the Meiji Competition for Universality by Michel Mohr; Holy Ghosts: The Christian Century in Modern Japanese Fiction by Rebecca Suter / Hansen, Wilburn (評論)
ヒット数100
作成日2023.06.17
更新日期2023.06.17



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