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Derridean Gaming and Buddhist Utpāda-Bhaṅga (Rising/Falling): How a Philosophical Stylistique Can De/Void Entitative Existence |
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| 著者 |
Magliola, Robert (著)
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| 掲載誌 |
Comparative and Continental Philosophy
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| 巻号 | v.12 n.1 |
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| 出版年月日 | 2020 |
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| ページ | 17 - 29 |
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| 出版者 | Taylor & Francis |
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| 出版サイト |
https://www.tandfonline.com/
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| 出版地 | London, England, UK [倫敦, 英格蘭, 英國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Author Affiliation: Assumption University. |
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| キーワード | Jacques Derrida; Buddhism; deconstruction; stylistique; Mādhyamaka; Śūnyatā |
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| 抄録 | During Jacques Derrida’s earlier phases, his stylistique acts out (in the sense of “performs”) the same project evident in his semantic. Derridean stylistic practice and thematics both undertake the project of deconstructing entitative thinking. Anglophonic philosophers often ignore (or cannot detect) his stylistic games, which are often Talmudic or unique to French. Derrida did not have a Buddhist agenda, but two of my past books, both well-received, show that Derridean deconstruction intersects with Mādhyamikan deconstruction of the self-identical. (Intersection does not imply “common ground” because lines have no width.) This article demonstrates Derridean/Buddhist intersections through (1) themes undoing themselves, (2) image motifs undoing themselves, (3) ambiguous referents dissolving Proper Names, (4) the “Uncanny” deconstructing logic, (5) enumeration undoing ontology, and (6) homophones and homographs unsettling correspondence theory. Finally, Derrida’s “free-floating syllables,” “floating graphic traits,” “palindromes,” and “scrambled words” are shown to dissolve entitative constructs. |
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| ISSN | 17570638 (P); 17570646 (E) |
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| DOI | 10.1080/17570638.2020.1720060 |
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| ヒット数 | 35 |
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| 作成日 | 2023.09.20 |
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| 更新日期 | 2023.09.20 |
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