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Performing Mind, Writing Meditation: Dōgen’s Fukanzazengi as Zen Calligraphy |
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| 著者 |
Eubanks, Charlotte (著)
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| 掲載誌 |
Ars Orientalis
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| 巻号 | v.46 |
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| 出版年月日 | 2016 |
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| ページ | 173 - 197 |
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| 出版者 | Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan |
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| 出版地 | Michigan, US [密西根州, 美國] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 英文=English |
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| ノート | Charlotte Eubanks, PhD (Colorado), 2005, is associate professor of comparative literature, Japanese, and Asian studies at Penn State. She is the author of Miracles of Book and Body: Buddhist Textual Culture and Medieval Japan (2011) and a number of scholarly articles, and she is an associate editor at Verge: Studies in Global Asias. She is currently working on a new book project, tentatively titled Performing Mind: Zen Buddhist Poetry and the Enaction of Consciousness, focused on the literary corpus of the thirteenth-century Zen master Dōgen. |
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| 抄録 | This piece offers an extended visual analysis of the Zen master Dōgen’s (1200–1253) Universally Recommended Instructions for Zazen, arguing that Dōgen’s calligraphy is a carefully orchestrated performance. That is, it does precisely what it asks its readers to do: it sits calmly, evenly, and at poised attention in a real-world field of objects (trees, grasses, and so forth). The manuscript’s brushstrokes and entire aesthetic layout enact seated meditation. Most analyses of Dōgen’s text have focused on its use and adaptation of Chinese source material, its place in founding the school of Sōtō Zen in Japan, and the ramifications of its doctrinal assertions on our understanding of Japanese religious history. Drawing attention instead to the material, aesthetic, art historical, and performative qualities of the text represents a completely new approach, one that foregrounds how the visual and material qualities of this Buddhist artifact are closely intertwined with its efficacy as a religious object. In pursuing this line of analysis, this article participates in the broader ritual turn in Buddhist studies while seeking to make a particular intervention into art historical qualifications of Zen art. |
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| 目次 | Abstract 173
Moving from Moment of Creation to Moments of Interpretation: Introducing the Manuscript 176
Dōgen and Universally Recommended Instructions for Zazen: A Brief Historical Sketch 177
Visual Analysis: Calligraphy Enacting Content 179
Classical Notions of Calligraphy as Evidence of Attainment 184
Body and Text as a Material Continuum in Buddhist Culture 187
Apprehensions of Zen Calligraphy in the Modern Art World 188
The Affordances of Paper and Ink 190
Conclusion 191
Notes 193 |
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| ISSN | 05711371 (P) |
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| DOI | https://doi.org/10.3998/ars.13441566.0046.007 |
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| ヒット数 | 50 |
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| 作成日 | 2023.10.26 |
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| 更新日期 | 2023.10.26 |
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