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北魏佛教造像藝術的「秀骨清像」論=The Style of “Xiu Gu Qing Xiang”of the Buddhist Statues Art in Northern Wei Dynasty |
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| 著者 |
李梅 (著)
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| 掲載誌 |
民族藝術研究=Studies in National Art
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| 巻号 | n.04 |
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| 出版年月日 | 2015 |
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| ページ | 122 - 127 |
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| 出版者 | 民族藝術研究編輯部 |
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| 出版地 | 昆明, 中國 [Kunming, China] |
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| 資料の種類 | 期刊論文=Journal Article |
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| 言語 | 中文=Chinese |
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| キーワード | 北魏=The Northern Wei Dynasty; 佛教造像=Buddhist statues; 秀骨清像=the style of "Xiu Gu Qing Xiang"; 靜謐幽思=quiet and meditate; 和合仁愛=harmony and benevolence |
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| 抄録 | "秀骨清像"一詞最早源于世人對南朝宋室畫家陸探微繪畫風格的指稱,后又被論者作為北魏中晚佛教造像藝術形式與風格的概述,具有北魏造像的突出代表特征。二者的銜接透露出中國傳統繪畫藝術與佛教造像之間互通有無的淵源,也使得北魏時期的佛教造像具有繪畫藝術語言的風格。其"清秀俊美"的藝術樣式中顯露出魏晉文人士大夫的審美理想,包蘊著豐富的審美情趣與哲理內涵。那"靜謐幽思"的神態中透出主體內在生命的節奏與韻律,這一風格因佛家的出世及靜穆之美同玄理的高遠與深幽相遇而成,其震撼靈魂的微笑中深諳著無盡的仁愛之美。
The Chinese phrase“Xiu Gu Qing Xiang”was originally referred to the painting style of Song Dy?nasty painter Lu Tan － wei，and later regarded by critics as the generalization of the form and style of Bud?dhist statues in the middle and late Northern Wei Dynasty，for it represents the prominent features of North?ern Wei Dynasty Buddhist statues． The link between the two art forms reveals the origin of communication between traditional Chinese painting art and Buddhist statues，and has resulted in the Northern Wei Dynasty Buddhist statues demonstrating the style of painting art． The“delicate and pretty”art style of Buddhist stat?ues reveals the aesthetic ideal of ancient scholar － bureaucrats in the Wei and Jin Dynasties，which contains rich aesthetic appeal and philosophical connotation． The“quiet － and － meditate”manner of Buddhist stat?ues reveals the rhythm of the prototypes＇ internal life． The style of“Xiu Gu Qing Xiang”is a product of the combination of the solemn and tranquil beauty of Buddhism with the loftiness and profoundness of metaphysi?cal theories，and thus the soul － touching smiles of Buddhist statues implies endless beauty of benevolence． |
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| 目次 | 一、清秀俊美之貌 123
二、靜謐幽思之情 124
三、和合仁愛之美 125 |
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| ISSN | 1003840X (P); 1003840X (E) |
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| ヒット数 | 120 |
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| 作成日 | 2023.11.30 |
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| 更新日期 | 2023.11.30 |
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