|
|
|
 |
|
|
|
|
|
|
西南絲路樂舞中的“印度化”底痕與傳播軌跡——兼論云南與周邊南傳佛教音樂文化圈的傳播歷史與文化脈絡=The Trace and Dissemination Trajectory of "Indianization" in the Dance and Music along the South - west Silk Road: On the History of the Dissemination and Cultural Thread of the Southern Buddhist Musical Cultural Circle in Yunnan and its Neighbors |
|
|
|
| 著者 |
楊民康 (著)
|
|---|
| 掲載誌 |
民族藝術研究=Studies in National Art
|
|---|
| 巻号 | n.02 |
|---|
| 出版年月日 | 2017 |
|---|
| ページ | 8 - 19 |
|---|
| 出版者 | 民族藝術研究編輯部 |
|---|
| 出版地 | 昆明, 中國 [Kunming, China] |
|---|
| 資料の種類 | 期刊論文=Journal Article |
|---|
| 言語 | 中文=Chinese |
|---|
| キーワード | 西南絲綢之路樂舞=dance and music of the South-west Silk Road; 印度化=Indianization; 雲南與周邊南傳佛教音樂文化圈=South Buddhist musical cultural circle in Yunnan and the neighboring countires; 印度教文化=Indian culture; 佛教文化=Buddhist culture |
|---|
| 抄録 | 若從中國云南向東南亞由里向外看,周邊各國呈現出內外兩個不同的地理和文化圈層:內圈以中南半島和陸路為主,其中云南的傣族與孟高棉語諸民族與周邊泰、緬、老、柬等國共同信仰南傳上座部佛教,共同構成一個南傳佛教文化圈;外圈為分布著無數海上島嶼的馬來半島和菲律賓群島,其居民主要信仰伊蘭教和基督教（含天主教）。一個顯在的文化共性是,從長期歷史上看,這些國家中絕大多數或長或短都曾經歷過由佛教-印度教文化構成的"印度化"時期,并由此構成了一直存在于該區域民族文化中的"大傳統和小傳統"。這種影響存在至今。其中,印度教文化的遺痕顯然更清晰,影響和范圍更大一些。并且,這些文化特點都從東南亞各國的樂舞、戲劇文化中明確地反映出來。在東南亞社會文化表層展現出繁復紛呈局面的今天,上述潛層文化元素或許可以作為我們認識和探索該區域各國之間深層文化共性和傳播交流方式的一個入口或平臺。
Seeing from Yunnan towards the south － east of Asia，there are two different geographical and cul?tural circles in the neighboring countries of China． The inner circle，which locates in Indo － China Peninsula and the land route，is populated with the Dai in Yunnan，China，Khmer － speaking peoples and the neigh?boring Thailand，Myanmar，Laos and Cambodia with their common belief in Southern theravada Buddhism． This is a Southern Buddhist cultural circle． The outer circle covers countless islands，the Malay peninsula and the Philippines where the Muslim and Christian ( including Catholic) live． An obvious cultural common?ality is that the majority of these countries have experienced the “Indianization”period in which the Bud?dhist － Indian Culture was influencing． Consequently，the “big tradition and small tradition”exists in the ethnic culture in this area and its influence is still clear nowadays． Among the influences，the tract of Indian culture is clear and the impact is significant． In addition，the implications of Indian culture can be seen in the dance and drama in south － east Asian countries． Considering the diverse surface culture in the South － east Asian society，the above mentioned deep cultural elements may be seen as an entrance or platform for an understanding and exploration of the deep cultural commonality and dissemination method． |
|---|
| 目次 | 一、「印度化」的低痕：印度教元素在東南亞宗教文化中的遺存現象 9
二、「印度化」的軌跡：「一帶一路」暨「南方絲路」上的東南亞宗教文化圈 10
三、「印度化」的祛魅：雲南與周邊南傳佛教文化圈、文化層與文化認同 11
四、作爲歷史和考古資料的印度教樂舞文化的早期遺存 12
五、沉澱在民間傳統文化底層的印度教音樂文化元素和基因 14
結語 18 |
|---|
| ISSN | 1003840X (P); 1003840X (E) |
|---|
| ヒット数 | 57 |
|---|
| 作成日 | 2023.12.05 |
|---|
| 更新日期 | 2023.12.05 |
|---|
 |
Chrome, Firefox, Safari(Mac)での検索をお勧めします。ＩＥではこの検索システムを表示できません。
|
|
|
