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Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan |
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著者 |
Chusid, Miriam (著)
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掲載誌 |
Archives of Asian Art
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巻号 | v.69 n.1 |
出版年月日 | 2019.04 |
ページ | 21 - 53 |
出版者 | Duke University Press |
出版サイト |
https://www.dukeupress.edu/
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出版地 | Davis, CA, US [戴維斯, 加利福尼亞州, 美國] |
資料の種類 | 期刊論文=Journal Article |
言語 | 英文=English |
ノート | Author Affiliation: Columbia University, US |
キーワード | hell; Enma; Ten Kings; Daigoji; Sen'yōmon-in; gyakushū (preemptive funerals); Jizō Bodhisattva |
抄録 | By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one’s past deeds, Enma’s position as one king in a series of ten was common knowledge, and offerings made to him, as well as to the other nine, served to ensure the petitioner a favorable rebirth in his or her next life. This article brings to light Enma’s roles independent of this schema. It argues that far from serving solely as the judge of one’s actions, Enma could be a figure to whom one petitioned for worldly benefits and even directed prayers for salvation. In addition, this essay shows that the architectural and spatial settings in which Enma was placed influenced the understanding of his varied functions, and ultimately enabled his refiguration as a salvific deity who had the power to grant birth in a Buddha land. |
目次 | Abstract 21 Introduction 21 The Enma Hall at Daigoji 24 The Enma kōshiki (Enma Ceremonials) 27 The Daigoji Enma Hall Wall Paintings 28 Enma and Jizō 33 Amida and Jizō 39 Remarks on Enma’s Soteriological Role at Daigoji 41 The Enma Halls at Hōshakuji, Ennōji, and Shidoji 42 Hōshakuji 42 Ennōji 43 Shidoji 44 Conclusion 47 Acknowledgments 48 Notes 48 Works Cited 51 |
ISSN | 00666637 (P); 19446497 (E) |
DOI | https://doi.org/10.1215/00666637-7329882 |
ヒット数 | 70 |
作成日 | 2024.04.26 |
更新日期 | 2024.12.13 |

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