文獻=Document; 唐五代=Tang and Five Dynasties; 佛寺壁畫=mural painting of Buddhist temple; 繪畫=painting; 佛教=Buddhism; 文學=literature
摘要
唐代是我國佛教的鼎盛時期。佛教的興盛也帶動了與佛教相關的各類文化藝術的發展,佛寺壁畫就是這些藝術之一。這些壁畫在歷史的長河之中,基本已消失殆盡。其中一小部分壁畫,卻以文字形式留存於各種文獻記載之中,流傳至今。依據相關文獻的記載,對唐五代佛寺壁畫的屬地、作者、內容加以輯錄,並且依照壁畫所屬地域加以編排,就可以再現唐五代時期佛寺壁畫的大體輪廓。 在輯錄文獻所載佛寺壁畫的基礎上,對壁畫及其相關資料所透露的信息進行分析研究,即可揭示唐五代時期繪畫、佛教、文學等文化領域的諸多史實。 本論文的上編部分,就是在文獻輯錄的基礎上所展開的論述。下編部分則通過對有關唐五代佛寺壁畫之文獻的整理輯錄,力圖廓清唐五代佛寺壁畫的歷史概貌。 上編部分,從繪畫史、佛教史、文學史三個角度展開論證。相應地,論文的上編也就分為了三章。 第一章,從繪畫史的視角觀照了文獻所述唐五代佛寺壁畫及其相關信息。研究看到,當時從事壁繪的畫家人員龐雜。這些畫家在佛寺壁... Buddhism was in full bloom within the period of the Tang Dynasty,meanwhile, the mural painting of Buddhist temple was prosperous,including other cultural studies pertinent to Buddhism.Time has almost extinguished those mural paintings:however, a few mural paintings survive by means of being recorded in documents.According to certain documents,the historical outline of the mural painting in the Tang and Five Dynasties comes into being both by examining author,site,content of those murals, and by compil...
