The main subject of this thesis is Chinese Rama religion dance, "VCham," and Korean Buddha religion dance, "Zuo-fa-wu." Both of them implied very complicating and meaningful religion conviction as a type of religion culture. Furthermore, they involve a number of information of dance history and culture as the product of history and culture exchange. Therefore, we can figure out the characteristic that come from religion dance influenced by religion conviction through the study of both Buddha religion dances...
