When was Buddhism introduced into China? The academic industry generally regarded Eastern Han Dynasty and Three Kingdoms as the elementarily-introduced period in China. After Emperor Ming’s entreating Buddhist doctrine in Yongping, there were Buddhists from the west coming increasingly frequently and the imperial government made arrangements for them. The White House Temple in the west of Luoyang was lived by Buddhists in the beginning and then became an important translation place for Buddhist Scriptures. Under Emperor Yongjia Reign of Western Jin Dynasty, Luoyang had become the Buddhist-broadcasting center of central plane area. At present, the hangover influenced by Buddhism can be found in Sichuan and the midstream and the lower reaches of the Changjiang River.Buddhism also influenced art relics, which came forth mainly close to the northwest of Sichuan. This is concerned with adjacency to the northwest and the Western Regions. The Northern barbarian tribes in ancient China, who believed in Buddhism originally lived in the Western Regions. Approximately in Emperor Ling of Han Dynasty, the Northern barbarian tribes settled down in Sichuan, therefore their religious belief also influenced their living places.The Buddhist doctrine in the south of Changjiang River was elementarily introduced into Luoyang. At the end of Eastern Han Dynasty, wars took place in central plane area and many people moved from the north to the south. Since then, Wu started its ethos of establishing figures of Buddha. After its foundation in Luoyang, Wu became the Buddhism-broadcasting center in the south of Changjiang River. Relic of Buddhism in the south of Changjiang River was earliest founded in Wu. The art remains in Wu were mainly copper mirrors and soul bottles, which were unique in shape and craftHitherto, the ait relics found and influenced by Buddhism were mostly distributed in areas with Huang and Lao Tzu’s active thinking. Concerned Buddhism relics found through archaeological studies and document records were mixed with Huang and Lao Tzu in belief base and compound mode of images
