本資料由 李玉珉老師 提供
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克孜爾石窟第17、123窟中出現的化佛現象 -- 兼談小乘佛教的法身問題=The issues of Nirmāna-buddha in Cave 17 and 123 Kizil Grottoes Xinjiang:Discussing the idea of Dharmakaya of Hinayana School |
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作者 |
李瑞哲
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出處題名 |
敦煌研究=Dunhuang Research
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卷期 | n.2 (總號=n.114) |
出版日期 | 2009.04 |
頁次 | 37 - 44 |
出版者 | 敦煌研究編輯部 |
出版者網址 |
http://www.dha.ac.cn/
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出版地 | 蘭州, 中國 [Lanzhou, China] |
資料類型 | 期刊論文=Journal Article |
使用語言 | 中文=Chinese |
關鍵詞 | 盧舍那佛; 小乘佛教; 法身; 化佛 |
摘要 | 本文對新疆克孜爾石窟第17窟、123窟立佛背光中繪滿許多小化佛的現象,以及對龜茲地區發現的兩處盧舍那圖像進行了分析考證,認為前者是小乘佛教法身思想在石窟內的表現,后者是公元8世紀后受到中原大乘佛教影響的結果。
This article tries to analysis the phenomenon of Nirmāna-buddha appeared small in size on the halo of the standing Buddha which was found to be painted at the outside wall of the corridor of Cave 17 and 123 Kizil Grottoes Xinjiang and two icon of Vairocana on the site of Ai Cave-temple and Cave 9 Kumutula Grottoes in Kuche respectively. This article had considered that the former phenomenon must have a close relation with the idea of Hinayana Dharmakaya which inspiring that the thought were very popular in the area of Kucha in ancient times and in addition, the latter phenomenon shows the fact that Kuche Buddhist art obviously under the influences by Mahayana School from the Chinese Central Plain to Kuche Area after the 8th Century. |
ISSN | 10004106 (P) |
研究類別 | 佛教-思想; 石窟; 佛教圖像 |
研究地點 | 新彊(拜城克孜爾石窟) |
點閱次數 | 394 |
建檔日期 | 2016.05.12 |
更新日期 | 2018.04.24 |
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