Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan
出版地
Michigan, US [密西根州, 美國]
資料類型
期刊論文=Journal Article
使用語言
英文=English
附註項
CURRENT DIRECTION IN YUAN PAINTING
關鍵詞
中峰明本
摘要
Among the Chinese hierarchy of two-dimensional media on paper, painting is ranked first, followed by woodblock printing and rubbings. These three media differ in the way they transmit pictures, depending on the characteristics of each. Temple workshops and the collection of paintings in a temple's library played a key role in the spread of images. This paper will explore the implications of these facts in a case study of a portrait that exists in all three media, a portrait of the Chan abbot Zhongfeng Mingben (1262–1323) of the Yuan dynasty.
