This thesis is based on the Zen aesthetics in the paintings of the Buddhist monk-Mu Xi. The Zen paintings add more creative ideas to the Chinese painting world, and are rich in the aesthetic conception of the Zen machine and the harmony between man and nature. The Zen paintings of Zen Buddhism (Fa Chang) are not highly evaluated in the history of Chinese painting, but their works have greatly influenced Japanese painting after they crossed Japan. In Japan, not only was the master of ink painting, but also the painting of Muxi in China. Japan has a different evaluation. The author wants to make a more in-depth discussion and analysis of Muxi''s paintings, especially with Muxi''s """"Six Persimmons"""" as the main axis of research, and in-depth understanding of Muxi''s unique combination of Zen and art. Create a unique Zen aesthetic. The content of the thesis is divided into five chapters to discuss, first research motivation and problem awareness, review the past research results, and find the correct and appropriate research methods. Then, from the North-South branching theory, the influence of Zen painting on Chinese painting, as well as the investigation of the life of Muxi, explore the creative background of his works. The next step is to explore the """"Six Persimmons"""" from the aspects of modeling and composition, using pens and inks, and aesthetics. Then come from the works to explore the concept of meditation on nature and human beings, and finally realize that this thesis can provide the world with a certain understanding and understanding of zen painting, and understand the difference between literati painting and zen painting. This understanding of the far-reaching influence brought by Zen painting, further understanding the unique Zen style of Muxi, and in-depth exploration of the unique Zen aesthetics of Muxi, and the influence and contribution of Muxi paintings on later generations.
