 |
|
|
|
|
|
|
The Inner Gaze in Artistic Practice |
|
|
|
| 作者 |
Safavi, Safoura (著)
|
|---|
| 出版日期 | 2021.06.11 |
|---|
| 頁次 | 43 |
|---|
| 出版者 | Stockholm University of the Arts |
|---|
| 出版者網址 |
https://www.uniarts.se/
|
|---|
| 出版地 | Stockholm, Sweden [斯德哥爾摩, 瑞典] |
|---|
| 資料類型 | 博碩士論文=Thesis and Dissertation |
|---|
| 使用語言 | 英文=English |
|---|
| 學位類別 | 碩士 |
|---|
| 校院名稱 | Stockholm University of the Arts |
|---|
| 系所名稱 | Performing Arts and Media |
|---|
| 指導教授 | Vanja Hamidi Isacson; Antti Revonsuo |
|---|
| 畢業年度 | 2021 |
|---|
| 關鍵詞 | inner seeing; double vision; altered states of consciousness; music; hypnosis; consciousness science; inner realms; communication |
|---|
| 摘要 | ”A finger pointing at the moon is not the moon...” -Buddhist Quote
”...but it can point you in the right direction.” -Charles Tart, American psychologist
In this Master’s Thesis I will be presenting the idea of an Inner Gaze as an inherent witnessing system used in artistic practice. I will be mirroring my own practice as a Musician/Artist/Sound-Designer in the teachings of Hypnosis and The Science of Consciousness. Further I will share and analyze the collected data gathered from interviews with artists from different artistic fields, in order to gain a better understanding of how they experience their creative and performing minds. Is there any coherence in how we experience creativity? How common are the sensations of altered states of consciousness among artists? Can other artists relate to the idea of an inner gaze? Is this something we long to further explore and develop and would such a concept be beneficial for the artist and its works? |
|---|
| 點閱次數 | 206 |
|---|
| 建檔日期 | 2023.05.03 |
|---|
| 更新日期 | 2023.07.05 |
|---|
 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
|
