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“Intrusive Art” at Ajaṇṭā in the Late Middle Period: The Case of Bhadrāsana Buddhas
作者 Revire, Nicolas (著)
出處題名 Religions
卷期v.13 n.9
出版日期2022.09
頁次23
出版者MDIP
出版者網址 https://www.mdpi.com/
出版地Basel, Switzerland [巴塞爾, 瑞士]
資料類型期刊論文=Journal Article
使用語言英文=English
附註項1. Author Affiliation: Thammasat University.

2. Religions 2022, 13(9), 771.
關鍵詞Ajaṇṭā; bhadrāsana; Buddhist art and iconography; intrusive art; Mahāyāna; western Deccan caves
摘要Following the apparent chaos that ensued at Ajaṇṭā during the so-called “period of disruption” in the wake of King Hariṣeṇa’s death (ca. 478–480 CE), local monks and residents in the caves continued to sponsor the donation of what we term “intrusive” images after the late Walter Spink. These new donations consisted of hundreds of Buddha images, a few of which retain today painted or incised dedicatory inscriptions in Sanskrit. Many of these images represent the Buddha preaching and seated in the “auspicious pose” (bhadrāsana) on the conventional lion throne with his legs down. In this article, the author focuses on the images accompanied by inscriptions since they provide a better understanding of the reuse of consecrated caves, and of the nature of this new and brief iconographic development implemented by local Buddhist residents. The sudden appearance of Bhadrāsana Buddhas seems indeed to correlate with a rise to prevalence of Mahāyāna Buddhist practices at Ajaṇṭā during the late Middle Period.
目次Abstract 1
Keywords 1
1. Introduction 1
2. Introducing Ajaṇṭā 2
3. “Intrusive” Images at Ajaṇṭā 3
3.1. Cave 2 4
3.2. Upper Cave 6 5
3.3. Cave 7 5
3.4. Cave 9 5
3.5. Cave 10 7
3.6. Cave 11 9
3.7. Cave 19 10
3.8. Cave 22 11
3.9. Cave 26 15
4. Summary and Discussion: The Rise of the Mahāyāna? 17
Abbreviations 20
Notes 20
References 21
ISSN20771444 (E)
DOI10.3390/rel13090771
點閱次數157
建檔日期2023.09.28
更新日期2023.09.28










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