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從水陸法會的變革風格看創辦人對經懺的態度 -以佛光山、靈鷲山、法鼓山道場為例=Examining the Founders' Attitudes Toward Rituals Through the Transformative Styles of Water and Land Ceremonies: A Case Study of Fo Guang Shan, Lingjiu Mountain, and Dharma Drum Mountain |
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| 作者 |
釋天宏 (著)=Shih, Tien-hung (au.)
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| 出處題名 |
全國佛學論文聯合發表會論文集（第35屆）
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| 出版日期 | 2024.09.27 |
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| 頁次 | 31 |
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| 出版者 | 台灣大學佛學研究中心 |
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| 出版者網址 |
https://homepage.ntu.edu.tw/~ntucbs/Default.html
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| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| 資料類型 | 會議論文=Proceeding Article |
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| 使用語言 | 中文=Chinese |
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| 附註項 | 作者單位:政治大學宗教所 |
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| 關鍵詞 | 水陸法會=Water and Land Ceremony; 佛光山=Fo Guang Shan; 法鼓山=Dharma Drum Mountain; 靈鷲山=Lingjiu Mountain; 創辦人=Founder |
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| 摘要 | 自1987年解除戒嚴以來,靈鷲山、法鼓山和佛光山等三大宗教道場舉辦的水陸法會規模宏大,參與人數眾多,多達萬人以上參與。這三者的水陸法會已經舉辦超過 20 年,創新改革別於傳統,並各自擁有獨特風格。星雲大師改良傳統儀制,將佛光山水陸法會的內、外壇的舉壇時間一律在白天舉行,藉以讓佛教法會體現出時代性。靈鷲山水陸法會以圓形布幔的唯美壇場,及壇場融合南傳、藏傳及漢傳特色,開闢「南傳壇」及「密壇」,開創史上獨有「三乘合一」之水陸法會。法鼓山的水陸法會則以現代化、環保、科技及禪修見長。他們不僅利用科技動畫呈現法會中諸多佛菩薩及六道眾生的場景,還將傳統的送聖化紙船及牌位焚化儀式以科技動畫方式呈現,達到環保不焚化的目的,避免空氣汙染。
這些大型道場的水陸法會不僅融合了傳統的儀軌,更進一步舉辦出屬於自己的獨特風格和特色。本文以靈鷲山、法鼓山、佛光山為標的,從它們在水陸法會方面的現代變革中整理出它們的特色,並做比較。本研究發現這些道場在水陸法會的變革中之所以各有特色與風格,除了道場的宗風之外,主要是因為創辦人對經懺的看法和態度不同所致。
Since the lifting of martial law in 1987, the three major religious sites of Lingjiu Mountain, Dharma Drum Mountain, and Fo Guang Shan have held large-scale water and land ceremonies, attracting thousands of participants. These water and land ceremonies have been held for over 20 years, innovating and reforming traditional practices while each developing its unique style. Master Hsing Yun reformed the traditional rituals by scheduling the internal and external altar ceremonies of the Fo Guang Shan water and land ceremony to take place during the day, allowing the
Buddhist ceremonies to reflect contemporary relevance. The Lingjiu Mountain water and land ceremony features a beautifully designed circular altar that integrates characteristics of Theravada, Tibetan, and Han traditions, introducing the "Theravada Altar" and "Esoteric Altar," creating a historically unique "Three Vehicles in One" water and land ceremony. Dharma Drum Mountain's water and land ceremony excels in modernization, environmental sustainability, technology, and meditation. They not only use technological animations to depict various scenes of Buddhas, Bodhisattvas, and beings from the six realms during the ceremony but also present traditional practices such as the burning of paper boats and spirit tablets through technological animation, achieving an eco-friendly goal without incineration, thus avoiding air pollution. These large-scale ceremonies not only incorporate traditional rituals but also further develop their unique styles and characteristics. This paper focuses on Lingjiu Mountain, Dharma Drum Mountain, and Fo Guang Shan, analyzing their modern transformations in water and land ceremonies to identify and compare their distinctive features. The study finds that the unique characteristics and styles of these sites in the
transformation of water and land ceremonies are primarily influenced by the founders' differing views and attitudes toward the rituals. |
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| 目次 | 【摘要】 1
Abstract 2
一、前言 3
二、三處道場舉辦水陸法會的創新變革特色 3
(一) 靈鷲山水陸法會創新特色 4
1. 緣起、精神、理念 4
2. 變革特色 5
(二) 佛光山水陸法會創新變革的特色 8
1. 緣起、精神、理念 8
2. 變革特色 9
(三) 法鼓山水陸法會創新變革的特色 12
1. 緣起、精神、理念 12
2. 變革特色 13
三、三道場風格特色比較 15
四、創辦人對於經懺的態度影響變革風格 18
五、結語 22
參考書目 23
一、佛教藏經或原典文獻 23
二、專書或學位論文 23
三、期刊論文 26
四、學位論文 28
六、網路與電子資料 29
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| 點閱次數 | 34 |
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| 建檔日期 | 2024.10.22 |
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| 更新日期 | 2024.10.22 |
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