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A Study of New Buddhist Music Composed in Taiwan and the People's Republic of China |
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| 作者 |
Yip, Ming-mei
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| 出處題名 |
Nhac Viet: The journal of Vietnamese music International Association for Research in Vietnamese Music
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| 卷期 | v.3 n.1-2 |
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| 出版日期 | 1994 |
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| 頁次 | 63 - 76 |
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| 出版者 | International Association for Research in Vietnamese Music |
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| 出版地 | Kent, OH, US [肯特, 俄亥俄州, 美國] |
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| 資料類型 | 期刊論文=Journal Article |
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| 使用語言 | 英文=English |
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| 附註項 | 290; Proceedings of the conference on trition versus modernization |
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| 關鍵詞 | 佛教音樂=梵唄=Buddhist Music;Chinese Buddhism;Taiwan;China;Religious music;Zhang, Zhi-Wen;Shen, Xin-Gong;Li, Xu-tong;Hong Yi;Liturgy;Ritual;Yip, Ming-Mei; |
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| 摘要 | New Buddhist music was composed for the purpose of popularizing Buddhist teachings in a new form. The texts of most of the new Buddhist songs were written by Buddhist masters, while the composers were generally lay Buddhists. The first generation of new Chinese composers were Zhang Zhi-Wen (1879-1929)，Shen Xin-Gong (1869-1947)，and Li Xu-tong，also known as Master Hong Yi (1880-1942). New Buddhist songs may be classified in three categories：(1) Buddhist songs to be sung as religious music; (2) Buddhist-inspired works, which aregenerally instrumental pieces with Buddhist titles; and (3) melodies of traditional Buddhist chants arranged for instruments. Anthologies of new Buddhist songs are listed and described. |
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| 點閱次數 | 914 |
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| 建檔日期 | 2001.05.16
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