genre; gender; narrative ballad; female literature (nüshu); China
摘要
In this article I analyze a changben (song book) ballad of Liang Shanbo and Zhu Yingtai transliterated into nüshu (“female writing”), a script circulated exclusively among peasant women in Jiangyong County, Hunan Province, China. Conceptualizing genre as the intertextualization of an event, narrative poetics, and social context, I will discuss how the male-composed Liang-Zhu narrative ballad was read and received by nüshu women in rural Jiangyong, and through this process trace out the expressive niches of the changben genre. I will show that despite its transcription into nüshu, the Liang-Zhu changben narrative did not merely mirror Jiangyong women’s life worlds. Instead, it reflected and in the meantime refracted their inner feelings and social reality. Reflection and refraction intersect to create an expressive arena where audiences articulate their intricate sensibilities of conforming to the existing social order while simultaneously transforming it, and where they can project unrealistic but fulfilling fantasies of existence. Through changben, they contemplate being in-the-world, probing beneath the surface of existence, and searching for hope in everyday life.
