Materializing Southeast Asia's Past: Selected Papers from the 12th International Conference of the European Association of Southeast Asian Archaeologists
Materializing Southeast Asia's Past contains articles in historical and anthropological archaeology, epigraphy, and art history. The interpretations of art and material culture provide new insights into the classical Hindu and Buddhist cultures of Southeast Asia and their relationship to the medieval cultures of South Asia. The volume contains 20 papers presented at the 12th International Conference of the European Association of Southeast Asian Archaeologists (EurASEAA). Held in Leiden in 2008, the conference was jointly organized by the International Institute for Asian Studies (IIAS) and Leiden University.
目次
[Table of Contents]
List of Figures p.vii-xiii Introduction p.xiv-16
Part 1: Art, Religion, and Politics: Buddhist Monuments in Java and Cambodia p.1-18 Chapter 1: Borobudur: A Monument of Avataṃsaka Buddhism p.3-9 Chapter 2: Art Historical Evidence for the Building Phases of Borobudur p.10-26 Chapter 3: Enshrouded in Dharma and Artha: The Narrative Sequence of Borobudur’s First Gallery Wall p.27-40 Chapter 4: The Tantric Roots of the Buddhist Pantheon of Jayavarman VII p.41-55 Chapter 5: Buddhist Iconography in Brahmanical Temples of Angkor p.56-81 Chapter 6: A Study of Wooden Structures: A Contribution to the Architectural History of the Bayon Style Monuments p.82-108
Part 2: Southeast Asian Transformations: Cultural Exchange with South Asia p.109-126 Chapter 7: Gold Sheet Images in a Local Javanese Style p.111-118 Chapter 8: The Inscription on an Embossed Image of Śiva in Gold Leaf from Central Java, Indonesia p.119-121 Chapter 9: Images of Sūrya from Mainland Southeast Asia p.122-133 Chapter 10: Religious Syncretism in 11th-century Thaton: A Southeast Asian Transformation of Viṣṇu p.134-139 Chapter 11: The Context of the West Mebon Viṣṇu p.140-155 Chapter 12: The Cross-handed Gesture in Sri Lankan and Thai Art: A New Observation p.156-164
Part 3: Technology: Workmanship inArt and Material Culture p.165-182 Chapter 13: Techno-cultural Perspectives on Medieval Southeast Asia and Southern India: Pallava Bronzes and Beyond p.167-178 Chapter 14: Khmer Ceramic Technology: A Case Study from Thnal Mrech Kiln Site, Phnom Kulen p.179-195 Chapter 15: The Creative Sculptural Process as Evidenced in the Rāmāyaṇa Reliefs of Candi Loro Jonggrang, Prambanan, Central Java p.196-204 Chapter 16: Decorative Lintels and Ateliers at Mahendraparvata and Hariharālaya p.205-218
Part 4: Southeast Asia Between Past and Present p.219-236 Chapter 17: Funeral Scenes in the Rāmāyaṇa Mural Painting at the Emerald Buddha Temple p.221-232 Chapter 18: Jars in the Central Highlands of Mainland Southeast Asia p.233-241 Chapter 19: Pagoda Desecration and Myanmar Archaeology, 1853–86 p.242-252 Chapter 20: Fame and Fortune in Two Philippine Cemeteries:Tombstones as Extensions of Identity p.253-267
