The presentation of the tirthaka figures inside Cave 275 (The Northern Liang Dynasty) of Mogao Grottoes at Dunhuang either appeared in the Jataka paintings or other relative subject of the illustrations to Buddhist sǖtra texts are basically divided into three groups by their characteristics: Raudrāksa, stands as a representatives of crafty, mean, malicious and merciless Brahman and the second group of Brahman with kind-heart who know distinctly what is right and what is wrong and would rather die than help the wicked perpetrate wicked deeds and at the same time, the third group of blind Brahman who are selfish and mean but conscientious. In fact, the innate relationship between the king’s action of persuasion for the law of truth and Raudrāksa’s battle with Sāriputra had reflected the caste of India contradiction between Brahman and Ksatriy. The ideas of punishment in ancient India and conscious for commodities exchanges and profit-seeking business were reflected in cruelties actions of driving iron nails into one’s body, cutting one’s own fresh, cutting off one’s head to be offering and gauged out one’s eyes.
