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Arthur Waley, Xu Zhimo, and the Reception of Buddhist Art in Europe: A Neglected Source
作者 Barrett, T. H.
出處題名 Hualin International Journal of Buddhist Studies
卷期v.1 n.1 Special Issue: Buddhism in the West
出版日期2018.05
頁次226 - 247
出版者Cambria Press
出版者網址 http://www.cambriapress.com/
出版地New York, US [紐約州, 美國]
資料類型期刊論文=Journal Article
使用語言英文=English
附註項The author is an Emeritus Professor of East Asian History at the School of Oriental and African Studies, University of London.
關鍵詞Arthur Waley; Xu Zhimo; Anesaki Masaharu; Zen art; translation
摘要This paper examines the creation of ‘Zen Art’ in the Anglophone world. In particular, I examine the celebrated translator Arthur Waley’s conceptualization of Zen art, and argue that he wrote an anonymous review of Anesaki Masaharu’s 姉崎正治 English-language treatise on Buddhist art and ideals with the help of Xu Zhimo. This overlooked review is an important text to trace the twentieth century discussion and translation of Zen writings on art and aestheticism. While discussing both Anesaki and Waley’s respective works on Buddhist art, in addition to Waley’s interactions with Japanese Zen writers, I outline the cast of characters and the networks that created a popular concept of ‘Zen Art’ in the Anglophone world that did not exist in East Asia.
目次The Origins of ‘Zen Art’ 227
Anesaki Masaharu (1873–1949) 233
Who wrote the note? 238

ISSN25762923 (P); 25762931 (E)
DOIhttps://dx.doi.org/10.15239/hijbs.01.01.08
點閱次數747
建檔日期2021.03.22
更新日期2021.03.22










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609052

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