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On 10 Chan-Buddhism images in the poetry of Du Fu
作者 Zhang, Yi-nan
出處題名 Studies in Chinese Religions
卷期v.4 n.3
出版日期2018
頁次318 - 340
出版者中国社会科学院=Institute of World Religions, Chinese Academy of Social Sciences(CASS); Taylor & Francis Group
出版者網址 http://casseng.cssn.cn/
出版地Leeds, UK [里茲, 英國]
資料類型期刊論文=Journal Article
使用語言英文=English
關鍵詞Du Fu’s poetry; image; Chan-Buddhism; Middle Way
摘要There is a significant amount of images with multiple meanings from Chan-Buddhism in Du Fu’s poetry. Representative among them are ‘moon,’ ‘rain,’ ‘pearl,’ ‘bell,’ ‘lamp,’ ‘three carriages and white ox carriage,’ ‘tiger,’ ‘dragon, elephant and poor son,’ ‘golden scalpel,’ ‘mirror,’ ‘clearly cool and irritated hot.’ These images not only enable Du Fu to write in the classic style of poetry, where simple images have great significance, but also consciously employs Chan-Buddhist imagery to communicate this connection to the reader. In order to understand the meaning of these images, this article examines Du Fu’s life and the contents of his poems. Du Fu was familiar with Mahāyāna philosophy, and always admired and remained close to monasteries and eminent monks. In his later years, he recognized the Middle Way (madhyamā-pratipad), cultivated Buddhist wisdom, and was more inspired in his works of poetry.
DOIhttps://doi.org/10.1080/23729988.2018.1554387
點閱次數157
建檔日期2021.04.07
更新日期2021.04.08










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