This paper discusses the transformation/turn of the Buddhist culture in the early 20th century in response to the great changes of the times and the adaptation to the real world. The thesis starts with the interaction between Confucianism and Buddhism, then reviews aspects of politicization, regionalization and secularization separately. The western culture had formed an influential trend in the late Qing Dynasty and early Republic of China. Learning Buddhism was also popular at that time. The studying method of intellectuals was applied to the study of Buddhism thus the engaged Buddhism became an inner power and faith in themselves for saving the country and the people. At that time, because Art and Buddhism were hailed as modern ways to save the country, this article is connected with the observation of things in art images and the observation of Buddhist inner thought to convey the modernity of this period of culture. The purpose here is to show the mutuality concept of ethics and renunciation inside Confucianism and Buddhism. The interaction of dualistic chaotic culture was once regarded as a force to create a new era in the early Republic of China but traditional culture can still be cherished while In the ""decentralized"" secular world. Thus the purpose of this thesis is to build a net to cope the Buddhist history in the early Republic of China. The core from Chapter 2 to Chapter 4 is to clarify the antecedent and consequence of the cultural transformation by historical facts from the space divisions of past, now and future. In Chapter 2, discussion focuses on two lay persons and a monk at that time to compare their differences on understanding in new Buddhist history, Buddhist spiritual realm, and the performance of the art through interaction, competition and unity between them in order to observe their complementarity and integration in culture karma. In Chapter 3, discussion focuses on skipped dynasty cultural inheritance from late Ming dynasty to the Republic of China period to clarify the historical antecedent and succession of the new era to the traditional culture. In fact the Qing military pressure to the south of mainland China had compelled the geophagic shift to Buddhists and regional development. In Chapter 4, the discussion focuses on revision after the 1950s to the history from late Qing dynasty to the beginning of the Republic of China. This will be the cultural fusion between Confucianism and Buddhism after the implementation under national tradition Consensus. Moreover, while building up Buddhist history, this thesis will discuss Buddhism in company with the art. Buddhism and the art has become a healing recipe through the Buddhist paintings and their rich cultural connotation of Buddhism. When the art bears the weight of Buddhist philosophy, The art can also be a combination of Buddhist cu
