John Lagerwey, Ph.D. (1975), Harvard University, is Professor of Chinese Studies at the Chinese University of Hong Kong. He is co-editor of Early Chinese Religion (Brill, 2009-10) and author of China, a religious state (HKU, 2010). Pierre Marsone, Ph.D. (2001), Ecole Pratique des Hautes Etudes (EPHE), is Directeur d'études at the EPHE and author of Wang Chongyang et la fondation du Quanzhen: ascètes taoïstes et alchimie intérieure (Paris, Collège de France, 2010) and La Steppe et l'Empire: la formation de la dynastie Khitan (Liao)(Paris, Les Belles Lettres, 2011).
摘要
A follow-up to Early Chinese Religion (Brill, 2009-10), Modern Chinese Religion focuses on the third period of paradigm shift in Chinese cultural and religious history, from the Song to the Yuan (960-1368 AD). As in the earlier periods, political division gave urgency to the invention of new models that would then remain dominant for six centuries. Defining religion as "value systems in practice", this multi-disciplinary work shows the processes of rationalization and interiorization at work in the rituals, self-cultivation practices, thought, and iconography of elite forms of Buddhism, Daoism, and Confucianism, as well as in medicine. At the same time, lay Buddhism, Daoist exorcism, and medium-based local religion contributed each in its own way to the creation of modern popular religion.
目次
Preliminary Material Volume 1 i–xxix
Introduction 1–70 Song Government Policy 71–137 State Rituals 138–166 The Village Quartet 167–228 “Old Customs and New Fashions”: An Examination of Features of Shamanism in Song China 229–281 Daoism and Popular Religion in the Song 283–327 Buddhist Ritual in the Song 328–448 Religion in the Light of Archaeology and Burial Practices 449–547 Daoism in Graves 548–600 Ghosts or Mucus? Medicine for Madness: New Doctrines, Therapies, and Rivalries 601–639 Changes to Women’s Legal Rights in the Family from the Song to the Ming 641–717
Preliminary Material Volume 2 i–xxix
The Architecture of the Three Teachings 719–800 Confucian Iconography 801–843 Buddhist Arts: A Survey of Sites, Paintings, and Iconography 844–928 Daoist Visual Culture 929–1050 Daoist Internal Alchemy 1051–1110 Daoism under the Jurchen Jin Dynasty 1111–1159 Buddhist Self-Cultivation Practice 1160–1186 Self-Cultivation as praxis in Song Neo-Confucianism 1187–1232 Academies in the Changing Religious Landscape 1233–1269 The Buddhist Monastic Economy 1270–1303 Moral Intuitions and Aesthetic Judgments: The Interplay of Poetry and Daoxue in Southern Song China 1305–1377 Confucian Thoughts 1378–1432 Buddhists and Southern Chinese Literati in the Mongol Era 1433–1492
