1.Denise Patry Leidy is Curator in the Department of Asian Art, The Metropolitan Museum of Art, New York.
2. Donna Strahan is Conservator in the Sherman Fairchild Center for Objects Conservation, The Metropolitan Museum of Art, New York.
摘要
The Metropolitan Museum’s collection of Chinese Buddhist and Daoist sculpture is the largest in the Western world. In this lavish, comprehensive volume, archaeological discoveries and scientific testing and analysis serve as the basis for a reassessment of 120 works ranging in date from the fourth to the twentieth century, many of them previously unpublished and all of them newly and beautifully photographed. An introductory essay provides an indispensable overview of Buddhist practices and iconography—acquainting us with the panoply of past, present, and future Buddhas, bodhisattvas, monks and arhats, guardians and adepts, pilgrims and immortals—and explores the fascinating dialogue between Indian and Chinese culture that underlies the transmission of Buddhism into China.
In addition to detailed individual discussions of fifty masterpieces—a heterogeneous group including portable shrines carved in wood, elegant bronze icons, monumental stone representations, colorful glazed-ceramic figures, and more—the catalogue presents a ground-breaking survey of the methods used in crafting the sculptures. A second introductory essay and several technical appendices address the question of how early Chinese bronzes, as opposed to those from Gandhara and other westerly regions, were cast; the construction methods used for wood sculptures in China, notably different from those used in Japan; the complex layers of color and gilding on works in all media and their possible significance; and the role of consecratory deposits in wood and metal sculptures. A final appendix publishes the results of an intensive study of the wood material in the collection, classifying every sculpture by the genus of its wood and including a section of photomicrographs of each wood sample—an invaluable resource for researchers continuing to study works of this genre.
As illuminating for new enthusiasts of Chinese Buddhist art as for scholars and connoisseurs, Wisdom Embodied is a glorious tour of the Metropolitan’s unparalleled collection, certain to earn its place as a classic in the field.
目次
Acknowledgments Denise Patry Leidy and Donna Strahan
Foreword Thomas P. Campbell
Buddhism and Buddhist Sculpture in China: A Brief Overview Denise Patry Leidy
Creating Sacred Images of the Buddha: A Technical Perspective Donna Strahan
Collection Highlights Denise Patry Leidy and Donna Strahan
Appendices
A. Additional Works in the Collection
B. The Issue of the Trubner Stele Denise Patry Leidy
C. Technical Study of Two Northern Wei Altarpieces Dedicated to the Buddha Maitreya Lawrence Becker
D. Compositional Analysis of Metal Sculpture in the Collection Mark T. Wypyski
E. Polychrome Decoration in the Collection Donna Strahan, Adriana Rizzo, Won Yee Ng, and Adrianna Gambirasi
F. Analysis of Wood Species in the Collection Mechtild Mertz and Takao Itoh
