Istituto Universitario Orientale, Dipartimento di Studi Asiatici
出版地
Naples, Italy [那不勒斯, 義大利]
叢書名
Series maior (Istituto universitario orientale (Naples, Italy). Seminario di studi asiatici)
叢書號
5
資料類型
書籍=Book
使用語言
英文=English
附註項
Associated project to the Unesco Silk Roads Project.
目次
Foreword and Acknowledgements VII List of Plates XV List of Abbreviations XIX Maps 1 and 2 3 & 5
PART 1 The Buddhist Culture of the Hindu Kush
Chapter 1 Introduction 9 Previous Studies: The Art Historical Problem 12
Chapter II Geographical Description 19 The Kingdom of Bamiyan and the Bamiyan Valley 20
Chapter III The History of the Hindu Kush and Adjacent Areas 25 Historical and Geographical Background 26 Sources for the Study of the History of the Hindu Kush 30 Numismatic Evidence for Eastern Afghanistan 33 Archaeological and Artistic Evidence 36 History of the Hindu Kush in the Sixth to Ninth Centuries 38
Chapter IV Religion in the Hindu Kush and Adjacent Areas 43 Forms of Buddhism: Htnayana, Mahayana and Vajrayana 44 Hinayana and Mahayana Exoteric Schools 44 Vajrayana Esoteric School of the Mahayana 44 Buddhist Art and Doctrine 46 Archaeological and Literary Evidence for Buddhism in Central Asia and India 48 Swat and Gandhara 48 Greater Kashmir 50 Central Asia 51 Indian Subcontinent 53 Buddhism in Eastern Afghanistan and the Hindu Kush 54 Literary Evidence for Buddhism in the Hindu Kush 57 The Mahasamghika and the Lokottaravādin 58 The Mahavastu 60 The Sri-mala-sútra 64 The Manjusrimülakalpa (MMK) 65
PART II The Art of the Hindu Kush
Chapter V The Archaeological Sites of the Hindu Kush Sixth to Ninth Centuries 71 Bamiyan and the Buddhist Complex 72 Folādi 73 Kakrak 73 Fondukistān 73 Nigār 74
Chapter VI A Relative Chronology for the Buddhist Art of the Hindu Kush 77 Criteria for a Stylistic Analysis 78 Technique of Painting 79 Style of Figures 79 Color 81 Composition 81 Comparative Stylistic Analysis 82 Phase 1 82 Phase II 83 The Colossal Sculptures of Bamiyan 87 A Relative Chronology for the Art of the Bamiyan Valley 90
Chapter VII Some Buddhist Themes in the Art of the Hindu Kush 93 Iconographic Choices 93 The Mandala 95 Paradise Scenes 97 The Spiritual Career of Sakyamuni 98 The Buddha-to-Be Sakyamuni in the Tusita Heaven 99 The Visual Source 102 The Vitarkamudra 105 The Triple Crescent Crown 106 The Three-Pointed Cape 107 Shoulder Effulgences 108 The Abhiseka Ceremony and the Adaptation of Royal Symbolism 109 Postscript 113 The Iconographic Program at Bāmiyān 114 Maitreya 114 Dīpaṅkara Buddha 115 The Buddha in Mahāparanirvāṇa 117 Bāmiyān: The Iconographic Program in the Main Façade 117
Chapter VIII The Meaning and Function of the Buddhist Complex in the Bāmiyān Valley 121 The Buddhist Pilgrimage Complex 121 State Ceremonial at Bāmiyān: The Pañcavārşika 123 Courtly Traditions in the Hindu Kush 127 Pre-Islamic Society in the Kingdom of Bāmiyān 130 The Function 134
Chapter IX Conclusion 137
Descriptive Catalogue of the Buddhist Sites of the Hindu Kush 141 Cave G 141 Cave GI 143 Cave T 144 Cave F 144 Cave Complex Surrounding the 38-meter Buddha 146 Cave Complex A 146 Cave Complex B 148 Cave Complex C 149 Cave Complex D 152 The Niche of the 38-meter Buddha (East Great Buddha) 154 The 38-meter Buddha Sculpture 157 Cave S 157 Cave M 158 Niche E 159 Cave K 160 Cave Complex K 161 Cave Complex J 162 Niche H 164 Cave N 165 Niche 'i' 167 The Niche of the 55-meter Buddha (West Great Buddha) 169 The 55-meter Buddha Sculpture 172 The Caves at the Base of the 55-meter Buddha 173 The Caves above the 55-meter Buddha 175 Kakrak 175 Folādi 176 Fondukistān 77 Niche K 178 Niche C 179 Niche D 179 Niche E 181 Nigār (Previously Called Dokhtar-i-Noshirwan) 183 The Painting 184
Appendix I - The Kyoto University Archaeological Mission to Central Asia: Enumeration of
